How Much to Charge as a Freelance Writer (Per word, per hour, per article, per email)
Knowing what to charge as a freelance writer can be a stressful situation.
You want to land the job but you don’t want your pricing to scare away potential clients. You also don’t want to charge too little and find that you are being paid unfairly for your skills and service.
You might feel like you’re between a rock and a hard place trying to find the right balance between what’s good and what’s fair.
Hopefully, this guide will help you sort out how much you should get paid and how much clients should be paying you.
Should I charge per hour or per word?
It really can be a matter of preference and a matter of client preference. I personally wouldn’t put too much stake on it. If you are able to write 1,000 clean, optimized words an hour and your client wants to pay per word you can think, “what do I want to make an hour?”
The client wants to pay .10 cents per word then you’ll make about $100 an hour. If they want to pay five cents per word that drops your pay in half for your time. Think about it this way and you can work with clients that want to charge per word and per hour.
The important part is knowing how long it takes you to write around 1,000 words as a meter. In freelance writing, it is a basic you will want to know off-hand how long it takes you to write 100, 200, 500, 1,000, 1,500, and 2,000-word articles so that you have at least a vague idea of how much you’ll be making per hour whether it is paid per word or per hour.
How much to charge per hour:
If just starting out, charge no lower than $20 an hour. This is low for writing online. When you are more advanced charge $60 an hour. When you have a specialized skill set like email or copywriting experience you can charge $150+ per hour.
There are of course many variables and many prices you could charge in between, but these types of prices could be pretty standard for freelance writing compared to other freelance skills.
How much to charge per word:
When you charge per word you don’t have to take your hour into account. If you write really fast then it doesn’t matter how long it takes you to jam out 1,000 words.
If you are starting out you might find yourself writing for .02 per word. When you are more skilled .10 per word can be expected. The highest paying per word is usually capped out at $1 per word.
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How much to charge per article:
With articles, skills really determine pay.
If you are unskilled, don’t understand SEO, and leave lots of edits you could charge $10-20 per 1,000-word article.
If you know your way around SEO and can turn in a finished product then you can charge $500 for a 1,000-word article. If you specialize in a subject and have the skills to back up ROI you can charge $1000+ for a 1,000-word article.
How much to charge per email:
Email writing is a huge industry for writers right now.
For emails, you can charge as little as $20 per hour. If you’re advanced you can charge $60 per hour. If you’re an expert and specialized you can charge $150+ per hour.
Clients will pay for help with email because it is such a huge ROI potential for them to get their emails working correctly.
For cold emails, which is a specialization you can charge $100 for one email easily if you know what you’re doing.
How much to charge for sponsored posts:
Sponsored posts happen when you have followers on a blog or a social media presence and a company pays you to feature their product or service in some way.
The least an influencer should charge for a sponsored post would be $250.
When you get more sponsors and more followers you can charge $1000+ for a sponsored post.
Blogs with traffic of 300,000 or more a month could charge thousands for a single sponsored post.
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This is a continuation of tips straight from the screenwriter’s lips.
Does the protagonist have to beat the obstacles?
The Answer according to Aaron is no. They just have to try, and we have to see them try and see how it turns out.
This could ultimately lead to tragedy or it could be a “get back up and try again” sort of story.
How do I let my audience know what the intentions are?
How do I let the reader or the audience know what my main protagonist’s intentions are?
Just state it. “I want blank,” “someday I’d like to blank,” “before I die, I’m going to blank. You’ll see.”
Have them continually confront obstacles.
First, they have to cross the lava swamp. Then the snake pit. After that, the heavily guarded door, up the booby-trapped stairs, through the laser room, and not before the room with giant swinging axes of doom will they be able to reach the coveted ham and cheese grilled sandwich.
Don’t let the audience know about every single obstacle upfront.
Let them know about some beforehand but leave some to be discovered as we go.
Leave them as a good surprise.
We thought that it was just a laser room that could slice you up. It’s also on a timer and as soon as the clock hits 20 seconds the entire room vaporizes anyone standing in it.
How much time do you have?
How much time will an audience give you before they get bored and leave?
It depends on what they are watching and why? People spend a lot of money and effort to get to a play. Even if they don’t like it, it is unlikely they will get up and walk out.
Movies in a theater are similar. They would really have to hate it to get up and walk out. But audiences have before and will.
Now things like TV and Netflix, the time they give you to interest them goes dramatically down.
It took them no time or effort to get to the couch in their pj’s. They might give you a minute or two. If you are writing for a TV drama the network will ask you to please have some sort of hook within the first two minutes.
The easiest thing for them to do is press the channel change button or the back button and try something else.
The most they might give you for a streaming show might be the first episode, but not everyone is that dedicated to finding out if they will like a story.
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This 1 Key Trait Can Tell You Whether You Will Succeed As An Entrepreneur Or Fail
Abraham Lincoln. You might remember him as honest Abe or you might not know who he is at all.
But his story is a powerful and persuasive one.
Abraham Lincoln
You see, Abe wanted to get into politics. We would imagine he didn’t like the way things were being run and wanted to make some changes of his own to the country’s political landscape.
The only problem was he wasn’t a very good politician.
He was running for state legislature and kept losing. His life wasn’t going anywhere except failure.
He became immensely depressed in his failures. So much so that his friends took all of his knives and razors away from him because they were afraid he would Jill himself.
He broke off is engagement to the woman he loved.
His life kept getting worse.
He ran for the senate not once but TWICE and lost BOTH TIMES.
You would think someone would think, “I’m not made for this,” and choose a different career path at this point.
But in 1860 Abraham runs as a “dark horse candidate” for the presidency and WINS!
He failed so many times for so long in his life but never quit and ended up winning the presidency instead of those lesser goals he tried for but it would seem that all the hard times he went through prepared to be the president of the United States at a very pivotal time in history.
He didn’t allow loss and adversity to prevent him from moving forward.
Teddy Rosevelt
Teddy’s story is a bit different.
Teddy was a well educated young man planning on becoming a naturalist but when everyone least expected it he suddenly ran for state legislature and to everyone’s surprise he won.
At this time his wife is pregnant with their first child and his mother who is only 49 comes out to his house in New York to help take care of his wife while he’s working in government.
This is when tragedy strikes.
For a brief moment everyone is elated as a telegram arrives for Teddy.
It says his child is born.
Everyone celebrates with cigars.
But not many hours later a second telegram arrives.
It says, you must return immediately. Your wife is dying and your mother is dying too.
It turns out that his mother had contracted typhoid fever upon arriving in New York.
Teddy arrived at home in time to see his mother before she died and about 12 hours later his wife dies too.
Teddy thought his life was over.
At this point he essentially runs away. He quits the legislature and moves out to the Badlands and rides his horse for reportedly 15 hours a day.
During this time he falls in love with nature and becomes quite a conversationalist.
He gains a deeper perspective on life and eventually goes back to run for the presidency.
Sometimes getting an outside perspective on things can lead to a deeper understanding of the big picture we need to move forward. And breaks aren’t always bad, but if Teddy has decided never to run again he might not have accomplished all that he did.
He did indeed quit for a time but ultimately he got back up “on the horse “ and kept going.
Rejections
You might not know it but MANY of your beloved authors have been rejected many times before finally being published.
Chicken Soup for the Soul: rejected 144 times.
Canfield once wrote, “If we had given up after 100 publishers, I likely would not be where I am now,”
“I encourage you to reject rejection. If someone says no, just say NEXT!”
This 1 Key Trait Can Tell You Whether You Will Succeed As An Entrepreneur Or Fail
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Lisa Genova, Still Alice: rejected 100 times (some of those were just non-responses)
She eventually decided to self published. It got picked up after that.
Kathryn Stockett, The Help: 60 rejections.
She wrote, “In the end, I received 60 rejections for The Help,”
“But letter number 61 was the one that accepted me. After my five years of writing and three and a half years of rejection, an agent named Susan Ramer took pity on me. What if I had given up at 15? Or 40? Or even 60? Three weeks later, Susan sold The Help to Amy Einhorn Books.” The book was on the New York Times bestseller list for over 100 weeks.
It sold over seven million copies, and has been made into an inspiring award winning movie.
Heidi Durrow, The Girl Who Fell From the Sky: 48 rejections.
“When I was trying to publish my book, it received some 48 different rejections from publishing houses mostly because people said to me that there was no market for a story about a half black half Danish girl. There was no Afro Viking demographic to sell this book to.”
Dispite the adversity her book was the winner of the 2008 Bellwether Prize for Socially-Engaged Fiction. The award came with a publishing contract and it became a bestseller.
One of my favorite authors James Patterson: James Patterson, The Thomas Berryman Number: 31 rejections.
Patterson’s first book was turned down by 31 publishers and he kept a list.
31 publishers turned down Patterson’s first book. The first of many in his extremely popular Alex Cross series. Now, of course, he’s one of the most successful authors in the world, arguably in history.
He told the New York Times that he kept a list of all the editors that turned down his first novel. “Sometimes they send me books and ask for blurbs. Mostly, though, they’re dead.”
Stephen King, Carrie: 30 rejections.
30 publishers rejected his first novel Carrie, the one that started King’s legendary novel journey.
One day he received a short letter from Bill Thompson at Doubleday:
“Congratulations. Carrie officially a Doubleday Book. Is $2500 advance okay? The future lies ahead. Love, Bill.”
And what was at that time their future is now our history.
The one thing that makes or breaks a successful entrepreneur is perseverance.
This key trait can be used in so many different avenues and career paths.
The thing is that most of us won’t be handed success in our endeavors so easily.
We inevitably will meet adversity and when that adversity comes what will we do?
I believe you have it in you to persevere and keep going despite adversity coming your way.
And as many we’ll have gone Beckies is would most likely admit that the adversity helped mold them into who they are today and who knows where they would be if they didn’t persevere and remain persistent despite many challenges.
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3 Mental Muscles You’ll Need to Flex to Be a Freelance Writer
If you’re interested in becoming a freelance writer you’re not alone.
Many aspiring writers are looking to join the freelance movement, work from home, make money online, and be their own boss.
If you’re going to take this journey though and be realistic about it. You’re going to want to keep some things in mind.
It’s not for the faint of heart but if you’re willing to do these three things you’re much more likely to succeed then those that don’t.
Be fearless
Being fearless sounds hard because let’s be honest, who isn’t a little intimidated to try new things?
I tend to believe that almost everyone is but those that do it usually tend to try new things and take on some risk feeling the fear but doing it anyway.
If you’re serious about freelance writing, you are definitely going to have to go out of your comfort zone to find work, make pitches, and hopefully fulfill projects handed to you.
Sometimes it’s easier to find the work and get the job.
Then all the sudden you realize, “oh crud…I actually have to deliver something good to them…” as you stare blankly into outer space.
It takes a bit of fearlessness to hand over your writing to an editor in the hopes that they don’t call it absolute trash and fire you.
But that’s a part of the freelancing game. You are always a little at risk of your client not liking what you deliver.
But not to fear, if you don’t give up you are likely to make it in the freelance business.
Don’t fear failure
You are going to fail.
It is almost inevitable.
You might be thinking, “gee Jeremy, thanks for the inspirational confidence booster.” Just follow me here.
You are going to fail, but that is not necessarily a bad thing. No.
The bad thing would be to quit after a failure thinking fallacy that you aren’t good enough.
Of course you are good enough. You just need more time, practice, and study.
Don’t be afraid to fail and don’t be so quick to quit.
Ask for help
Humility is hard.
It is hard to admit that we need help on something.
The opposite of this is pride. Pride will tell you that you don’t need help. That you’ll be better off figuring it out on your own.
Don’t reinvent the wheel. There are many people that have done this first and you can avoid their mistakes by asking for help.
Here are some ways you can ask for help:
– Do research
– Buy a course
– Buy a book
3 Mental Muscles You’ll Need to Flex to Be a Freelance Writer
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3 Mental Muscles You’ll Need to Flex to Be a Freelance Writer
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I personally have bought several courses on things like copywriting, affiliate marketing, and running ads.
Sometimes it will accelerate your progress if you just invest in yourself and buy that course you’re thinking about.
To go along with that same thought, books are very helpful.
And just a bonus tip: learn the skill of skimming well. Being able to skim large sections of books and articles will save you hundreds of hours.
Conclusion
Most people aren’t actually “fearless”, but pushing through the fear of failure and rejection will be paramount in a freelancing career.
And every freelancer should look for ways to avoid the mistakes that others have made before them.
Don’t be afraid to ask for help. Even here, don’t let fear stop you from posting a comment and asking for advice. Someone that’s already gone through what you’re going through might read it and be able to save you some trouble.
You’d be surprised how many people enjoy helping others 🙂
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3 Mental Muscles You’ll Need to Flex to Be a Freelance Writer
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3 Mental Muscles You’ll Need to Flex to Be a Freelance Writer
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1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better
There is one thing that many authors do.
It could be by accident. It could be on purpose.
But if you cut out just this one thing, your writing will be better to read instantly.
What is that one thing?
Passive voice.
Now this doesn’t mean we can Never use passive voice as authors.
It just sounds better and it’s less wordy if we don’t. And less wordy is almost always better.
What is passive voice?
Passive voice makes the object look dominant to the subject.
For example, passive voice would say,
– The book was thrown by the student.
– The guitar was played by the musician.
– The door was opened by the driver.
Instead as writers we mostly want to use active voice.
What is active voice?
1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better
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1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better
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1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better
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1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better
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Some of us loved it. Some of us hated it, and some people just liked a few things about school.
But nonetheless whether we hate it or love it it has been a part of most readers’ lives.
Writing schools in fiction doesn’t have to be a difficult daunting task. It can be fun and full of creativity. Thankfully many writers before us have created schools in fiction and so we have a lot of wisdom to glean from.
Creating a fictional school is a great way to resonate with audiences and bring many story elements that are nostalgic to a broad amount of readers.
We don’t have to go far to find inspiration for writing a school in fiction because the majority of humans on the planet attend some type of school in their lifetime.
These are some of the best places to draw inspiration from for writing schools in fiction. Draw from your own experiences and memories. Do you remember the teachers that you couldn’t stand?
Do you remember the ones that bored you do death?
Do you remember who you sat next to in math or science?
These are the places to take inspiration from and turn it into a story of your own.
Teachers
Everyone has teachers they’ve loved or hated.
There are so many vibrant teacher personalities that can add unique Dynamics to any story.
You can have:
– the crazy teacher
– Fun teacher
– Strict teacher
– Mean teacher
Teachers can be supportive characters and challengers.
A really fun dynamic is having the teacher be the ultimate villain hiding in plain sight.
Teachers are a huge resource to a writer making a fictional school.
Peers
Again there’s an endless world of possibilities in peers.
Every personality you can think of under the sun you can add and take away.
There could be many relationships or only a few.
There could be a few peers that play pivotal roles. Or maybe just one repeating character peer.
The location of the school
The location of the school is a big deal.
Is it near the main character’s house?
Is it far away?
Do they walk there?
Or do they have to take Transportation?
Is it other worldly?
6 Thoughts on Writing Schools in Fiction
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Depending on where the school is, it means a lot for how the reader will preconceive the details of the school and what it looks on the outside and the inside.
The number of students
The number of students affects:
– Sports
– Classroom size
– Competitions
– Band
– Music
– Arts
– Number of classes
– Number of teachers
The number of students affects many details and should be considered.
Curriculum
Is this a regular school?
Is it a school for the dead?
Is it a magical school?
School for animals?
School for adventurers?
What is the school’s main purpose?
Some extra random thoughts to consider for writing your fictional school:
Are there competing schools?
How are the students arranged in the classroom?
When it comes to making a fictional school there are lots and lots of details to sort out.
The more questions you can answer before writing chapter one the better and it’s best to write these answers down somewhere so that you have a reference to look back on.
Otherwise it’s tough to remember how you first felt about the school and what you dreamed it would be.
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The #1 Way to Make Your Scenes NOT BORING While Revealing the Story to Your Reader
Master writers and editors know what it takes to make scenes not boring while revealing the story.
Let’s talk about what makes a scene boring.
There is one major thing you don’t want to do to your readers when writing a scene and revealing the story.
Don’t make it work for them to read it.
Period.
If you make it a ton of work for them to get through chapter one scene one, they are going to put down the book and probably never want to pick it up again.
Here is how you make it a ton of work for your reader to make it through your scene.
Chapter 1: I tell them about the world, the shops in the world, the streets in the world, the mountains, the trees, what the birds look like, the cool and exotic plants. I tell them about the characters and every tiny detail about them. I tell them about her hair and her eyelashes. What she thinks about the flowers…
Do you get where we are going with this?
We are being a bit exaggerated here, but let’s be honest, it happens. And stuff like that used to work, but not today.
To make a scene “too much work didn’t read” (TMWDR) aka (TLDR) we give them a million descriptive details to read through without once moving the story along!
And our reader is left feeling like, “let’s get the ball rolling people!”
We can give them the details about the beautiful world in our imagination, but give it in small doses and allow them to use some imagination.
Move the story forward
We can give them some descriptions and we should, but great authors know that in order to be allowed to explain what a character looks like we have to earn the right to talk about them and why they are important.
The way that we earn the right to tell the reader anything while revealing the story, is when they are thinking this one secret thought.
We have to put this one thought in their minds and keep it there, the moment we’ve lost this thought that we’ve put in their heads, they’ll put down the book.
That secret thought is the same one all great writers use across all mediums, whether it’s story, freelance, copywriting, blogging, or marketing.
The secret thought is: “If I just read a little bit further, I’ll find out what I want to know.”
When we are so into reading anything, a story, an article, a blog, we have this same thought too. It’s really more of a feeling. But we read on intently looking for the answer to our questions.
Questions like, “What will happen next?” “What is going to happen to this character now?” are what we want our readers to think as writers in any medium.
The way we plant the secret question in their head using story
The way we create the secret question is simple.
Keeping it in their minds is the hard part about writing a story and writing one that readers can’t put down until they’ve read every last page.
The way is simple but executing takes time, practice, and insight.
How do we create the secret question in their head?
We create a problem that must be resolved.
The way we make scenes not boring
The way to make scenes not boring is to move the story along. (I know we said this above but go with me here as we explain further.)
We need to give the reader something to be curious about and look forward to.
Along the way we slowly but surely reveal characters and scenery and explain little bits and pieces of the world and bring them into our world and share it with them.
But to make a scene not boring and to move the story along we must create curiosity about what happens next!
How to get your reader thinking what happens next?
It is the coveted moment. The reader can’t stop reading page after page, chapter after chapter all because they keep thinking, “what happens next?”
But how do we get them thinking this through every chapter?
I already told them about the hero and the bad guy and he wants to destroy the world, what else keeps them curious?!
The #1 Way to Make Your Scenes Not Boring While Revealing the Story
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The #1 Way to Make Your Scenes Not Boring While Revealing the Story
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The #1 Way to Make Your Scenes Not Boring While Revealing the Story
The journey.
Moving the story along is the journey it takes to get from the introduction of our characters to the main problem that faces them to seeing it out to the end and all the misadventures in between.
But how do we make the journey interesting?
Let’s ask a more detailed question.
The one we’ve been asking all along.
How do I make each scene interesting?
Give each scene a purpose.
If every single scene we bring the writer into doesn’t have a purpose in moving the story forward then why on Earth are we telling them about the scene?!
So when you plot your outline be thinking of each scene and the “why” behind it’s necessary existence, because if your reader reads one or two scenes that seem to be not purposeful, that is, there is no “pay off” for them taking the time to read it they will likely put down the book.
Yes, in our scenes we may want to show a certain detail about character development or reveal a hidden artifact, but the easiest way to get the reader through it and on to the next page is to create mini difficulties for the characters.
Our main problem may be that the antagonist(s) wants to blow up the world but while our hero is on the way to stop the no good antagonist(s) they need to run into many challenging obstacles on the way.
Think of your story as more of an obstacle course
To get to the finish line our protagonist needs to run through the maze, climb the slippery slime wall, survive the dread log tumble, jump through the fiery hoop, and before they can even see the finish line they have to carry the weighted sack of fortitude up mount killmyback.
That’s a story.
And each obstacle is a scene. We see the obstacles and how the character handles them and each obstacle reveals more and more to us their true character. (“Show, don’t tell.”)
That’s how we move the story along, keep the reader interested, and reveal the true nature of our characters as we go 🙂
If we told the reader all about how each obstacle was made, how long it took, and about the nuts and bolts of it, that might be a little interesting (if you are trying to write a documentary about the story) but not if they haven’t seen it in action and seen how the course wrecks a character and is extremely interesting to watch.
Give each scene a purpose while you are revealing the story.
Make an obstacle around that purpose.
And your reader will be thinking that coveted question, “What’s going to happen next?!”
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The #1 Way to Make Your Scenes Not Boring While Revealing the Story
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But nobody wants arrogance and there’s a fine grey line between the two (is it grey or gray?).
If your character is too confident then it comes across as arrogant and your reader will start to loathe them.
But one main reason most people like the jerk is because she is confident.
Confidence is a very attractive quality.
What is the opposite of confident?
– Needy
– Clingy
– Whining
– Pathetic
– Self-loathing
“Ewww…”
If you’ve been reading and a character is too sympathetic towards their own bad situation it comes across as unattractive. This is self-loathing, the opposite of cool, confident, and collected.
These are simple ways that you can write your lovable jerk. Avoid the above list.
Part of the reason people love a jerk is because without shouting “I’m really confident!” they just are. They ooze cool and confident because they aren’t afraid to say what they are thinking because they could care less what the other character thinks.
If your character is too confident this plays the opposite and your reader starts to despise that character.
We have to let the confident vibes go a little but then play some other strings too to bring the whole song together.
#2 Can’t Keep Up With Him
Quick Wit
Something that helps our jerk be admirable and get away with being a little bit of a jerk is having a quick wit.
Remember all those comebacks you thought of a day later and said “Ugh! I should have said that!”
Your lovable jerk is quick and never misses an opportunity for a quick comeback.
What’s at play here?
People admire and love to be around a person with an entertaining quick wit.
There is a give and take though. (Just remember that to nail down the lovable jerk you’re always on a fine line between annoying and suave, attractive and not so much.)
This doesn’t mean your character is running around insulting everyone. That’s a jerk, not a lovable jerk. Everyone loves to hate the know-it-all jerk and they want to see them get their comeuppance.
That’s the opposite of what you want your reader to feel about this character.
You want your character to be a bit of a jerk but at the right place and time.
Timing is important.
Think of Sherlock. Extremely intelligent and a faster mind than anyone he interacts with. He could dance circles around anyone with his wit, but utterly rude the majority of the time.
Even though he can be insultingly rude at times we still love him and want him to accomplish his goals.
We love him and find him interesting because he is fun to watch and extremely intelligent.
We also like him despite his jerky side for another reason.
#3 Good Will
Slightly good intentions
This works with anti-heroes too.
You can love a jerk like Sherlock because he ultimately is looking to stop the bad guys and save the innocent.
His internal motives may be complex, but at the end of the day his actions save the victim and stop the villain.
In a scenario like this we excuse bad behavior because we experience mostly good behavior.
We as humans are very good at overlooking some bad if the good outweighs it in our opinions.
For instance, if you made a list of pros and cons about a character like Sherlock his pros would outweigh his cons for most readers. Not all of course, but most.
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How to Write the Lovable Jerk
#4 We are Hoping He’s not as Deep as a Puddle
Character Depth
A lovable jerk can be nothing but a Jerk at the beginning of our reader meeting them, but if they don’t change slightly or if more about their character doesn’t get revealed by you the writer, as time goes on, your reader will never like them.
For example, Finnick from Hunger Games is a jerk character that many fans love.
It helps that he’s attractive but let’s take a deeper look. We all know looks can give you an advantage, but they can only take you so far before you’re labeled as an attractive, stuck up jerk.
When we first meet Finnick he’s just a jerk. Pain and simple.
But then we spend more time with him and find out he’s for the rebellion.
Further in we see multiple caring sides of him as he tries to protect all those around him. He carries an elderly handicap woman on his back to try to save her life.
His fiance is captured and turned crazy and he remains faithful to her. In the end he gives his own life for Katniss Everdeen and a cause bigger than himself.
Finnick may be stuck up and full of himself at first glance but with time we see his depth of character and that makes him a lovable jerk.
#5 Nobody Likes A Whiny Whiner
There’s a specific writing trick where you can add a sad incident or backstory to a character to gain some sympathy for the character.
Tread lightly with this one.
It can be easy to start with that or to drone on and on about how terrible and tragic their unfortunate event is, but don’t do this.
If you are going for a lovable jerk something bad or many bad things can happen to them, but they need to react correctly in order for your reader to feel positively for them.
Unless you use it as humor or a small arc in their story they can’t wallow in sadness for an entire chapter or two. Humorously they can wallow a little, but realistically it can push your reader away from that character if you’re not careful.
If you want them to be lovable they can only mourn for a moment or for a time that the reader can fast forward through.
For example, “he drank himself to sleep every night that year.” And done.
Okay, realistically we can give a few more fun facts about their depression than just that, but soon and very soon something that sparks change needs to take place.
You can use sadness for depth of character but if your jerk is to be loved, make it short.
Another way to use tragedy in your jerk’s life is to make him get over it quickly and to move on.
This can be helpful for creating character depth as well.
#6 “I’ve Been Looking at the Man in the Mirror”
Change
One really easy way to write a lovable jerk is to create a character that is about to make a BIG change.
We’ve seen this done many, many, many, many (if you didn’t know, it’s been done a lot) times and it works out equally well despite maybe being a little over done.
One of the major monarchs of this type of lovable jerk is Scrooge.
Scrooge is an iconic lovable jerk that starts out as… well… he starts out as a Scrooge (pun intended) but we see a transformation in his character and in the end he’s super generous.
Another good example is Jack in The Family Man.
Jack leaves his high school sweetheart for riches and success.
When we meet him he’s so high on the high horse that we couldn’t stand to be around him, but as the story goes on he completely changes into a really awesome character.
This type of transformation, redemptive story is a great way to make a lovable jerk.
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5 Powerful Words that Express Revenge + Writing Prompts
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5 Powerful Words that Express Revenge + Writing Prompts
Be a smart writer and take advantage of every word.
Write powerful words when appropriate to trigger an emotional response from your reader.
You can write powerful words instead of dull words to incite a desirous psychological reaction in your reader while you have their attention.
Write power words to give your reader specific feelings about characters and events.
Use the powerful word in a natural way that comes across organic and smoothly. Do not force it. Just let it flow.
Power words are good for pivotal dialogue moments. They are good to consider for fiction as well as non-fiction.
Use power words to take your reader’s attention.
Draw their eyes and attention to where you want it the most.
Wake the reader up from zoning out while they are reading your piece.
Use power words strategically to get them from idea to idea.
Use simple power words that are easy to understand but that pack a punch compared to other boring words.
Write powerful words to keep your sentences interesting to your reader.
Don’t lose them by not drawing their attention back from losing focus.
When doing freelance writing projects use power words to write better-converting headlines and subject lines.
In blogging use power words in the titles and subheadings.
In emails use them in headlines and subject lines.
Don’t overdo it. Don’t try to force many into any one sentence unless it calls for it.
Hopefully, this fast short post helps you think through some of your own writing and where you can incorporate simple power words in a meaningful, natural, and effective way.
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If you enjoy 5 Powerful Words that Express Revenge + Writing Prompts, Storytelling and writing in general, you might love owning a domain of your own where you can write about it? Ever want to own your own domain name (Yourname.com)?
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It is the Amazon you love, for work. Make workplace procurement easier with convenient delivery options, simplified purchasing workflows, multiple payment options, and a competitive marketplace with business-only pricing and quantity discounts. Anyone who makes purchases for work (eg. procurement specialists, office administration, IT departments, etc.) can create a FREE account for their business. Customer must be from a verified business in order to successfully create their Amazon Business account.