What is Writer’s Block?

What is Writer’s Block?

What is Writer’s Block?

What is Writer’s Block?

What is Writer’s Block?

I think that’s a more complicated answer than we’d like to think, but there is hope.

The simple answer can be found in a dictionary.

“the condition of being unable to think of what to write or how to proceed with writing.”

I think this definition is partially true, but I don’t think it covers all the reasons someone experiences writer’s block.

1. Fear

People might not realize it, but fear plays a big part of why many writers run into writer’s block symptoms.

It could be fear of failure. We can stop writing because we become paralyzed with the idea of anyone reading what we’ve written and calling it trash.

It could be fear of rejection. We could spend hours and days and weeks and months or even years writing a story only to hear a publisher say “No.”

In fact, many successful authors have.

It could be fear of not being good enough. What could be worse of all is that we spend all this work and effort on a project and in the end we find out how bad it really is. That can be devastating if someone was under the illusion that they were good and come to find out they really aren’t. And even worse if they aren’t willing to work past it and become better.

2. Laziness

Sometimes we say it’s writer’s block, but really we just don’t feel like working on it today. We’ve worked on it for hours and hours all week long and we want a break.

So on any given day we might sit down to write something and our brain just kind of turns off toward the project and deep down we really are okay with that as we don’t actually want to write anything today anyway.

3. Burnout

Close to laziness is burnout. We’ve stayed up until 2 am every night and right now the last thing we want to do is think about what to write next. 

We have a million things going on in our lives and each one of them stresses us out in a different way, and if we don’t take some time to rest we will most likely implode.

So that Friday deadline is looking more and more fierce as it comes piledriving at us in full force and nothing seems to be stopping it. The stress really builds up and the work becomes paralyzing when we stop to think about all the possible consequences of not getting it done on  time.

4. Creative block

This really is more of a normal case of writer’s block. 

We are slamming through the project and then suddenly, blam, nothing. All creative juices slam to a halt. What happened?

It’s hard to say. Usually this comes from a lack of research and planning.

Some authors and writers would say this almost never happens to them because they outline the entire story beforehand.

I would tend to agree with this notion. If we take the time to outline the entire thing and make sure we have enough resources to look through along the way when we run out of ideas I would think that the ability to see what’s coming next would be much stronger.

If you are the type of writer that just starts writing and sees where it ends up, I would say that you will face this problem more often than someone that outlines everything.

Confession: I am totally guilty of this on a daily basis. 

I am 100% by nature the type of writer that gets an idea and just starts writing. Where the idea came from can give me a bit of a heading but otherwise the story or project usually unfolds before me as I write it.

Now, learning from James Patterson I did pick some very powerful outlining tips that I have taken advantage of from time to time.

But on a normal basis I usually just sit down or lay down and start researching and writing.

What is Writer’s Block?

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5. Not enough research

Since I am the type of writer that doesn’t naturally want to outline, this is where I can often run into writer’s block if I’m not careful.

Sometimes we don’t do enough research or we don’t have our research tabs organized in an easy fashion to be able to continue forward.

The last thing we want to do as people that have to get the project done is to sit down and stare at a blank page and a blinking cursor and try to think our way out of writer’s block.

Nope. We need to read about what we want to write and find interesting facts and thoughts to bring to the page. To do this we have to be CONSTANTLY researching.

For me, writing is not just writing. It is a never ending flow of reading, writing, reading, writing, reading, writing.

So make sure you don’t hit writer’s block because you’re not doing enough research.

To add to this, I should definitely say you can watch videos too if that’s more your speed.

I find that video learning and writing slows me down so I try to do it, but it’s not my personal go to.

I am much more trained and geared to skim quickly and write.

I say this because it is important for you as a writer to figure out how you learn best and utilize that as a strength. 

People learn differently. A close friend of mine learns very well through audio and video. He puts videos and podcasts on 2x speed and he’s off on the races. He’s learning and using what he learns that way.

I am not like that, as we discussed.

So it just goes to show, you have to try different things and figure out what works best for you.

5. Too tired

Writer’s block can come from simple things like being sleepy or tired.  The brain isn’t flowing at 100% and it needs to take a break or have sleep.

This can be a bigger factor than one might realize or expect. 

Sometimes it’s better to take a nap or go to sleep than grab that next cup of coffee. Unless it’s crunch time, then definitely grab the coffee.  🙂

6. Boredom

Sometimes it’s not writer’s block. It’s just boredom.

You might be bored with the genre your in, the story itself, or a character you’ve been working on. You could be bored with a scene, a lore, or a backstory that’s taking forever to hash out.

You might be bored with a copywriting or freelance project that just doesn’t have any interest to you whatsoever.

Whatever the scenario may be, boredom can really kill creativity. And if you are bored with a project it can feel like it takes a loooooooong time to get it finished and out of the way to make room for projects you care about.

Final Thoughts:

What is Writer’s Block?

Writer’s block seems to just be any amount of time where we run out of things to write, but the underlying causes could be any number of things.

There can be a plethora of reasons to attribute to any type of writer’s block you may be facing, but taking the time to understand your specific case of writer’s block can lead you to a quick solution on how to get rid of writer’s block.

Hope this helps!

Happy writing!

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Writer’s Block or Imposter Syndrome?

Writer’s Block or Imposter Syndrome
Writer’s Block or Imposter Syndrome

Writer’s Block or Imposter Syndrome?

Writer’s Block or Imposter Syndrome? Which is holding you back as a writer?

How to beat imposter’s syndrome as a writer.

Is it imposter syndrome? Is it writer’s block? Or is it fear?

What is imposter syndrome?

Imposter syndrome can really be summed up as fear.

  • Fear of not being good enough
  • Fear of failure
  • Fear of letting others down

Which makes you wonder, “Am I experiencing writer’s block because I can’t think of anything to write, or is it actually fear?”

In most cases, it’s anxiety and fear. We sum up writer’s block as if it’s a catch-all for any reason I can’t write today.

But in reality, if we are honest with ourselves, fear stops us from writing.

– Fear of failure

– Fear of rejection

– Fear of not being good enough

– Fear of being made fun of

And, let’s be honest again if we don’t write, more than likely those things won’t happen about our writing because it doesn’t exist yet.

Therefore, no one can make fun of it and we can continue to toy with the story in our minds and talk about it with our friends without the worry of judgment over whether it’s actually good or not.

But how do we defeat this fear?

How do we get the courage to write out our story even when we are so worried about failure?

1. Write only 50 words.

You’re probably thinking that I’m joking.

Write only 50 words? Is this a trick? That’s like writing nothing.

Au contraire, my friend. That’s the point. It’s not nothing. It’s 50 words.

And it serves its purpose. It’s meant to make us relax when we head to write.

If I said write 10,000 or even 1,000 words that might sound daunting, but 50 words are essentially peanuts. It’s nothing.

So don’t worry, just relax and write 50 words.

If you end up writing more during your session, great. If you don’t, great. The goal was to get down 50 and you’ve accomplished your writing goal for today!

You should check it off your list and feel good about it.

The next time your mind is racing about all the reasons you shouldn’t write, just write 50 and call it a day if you don’t feel like writing more after that.

2. Lay down.

Famous authors have been doing this trick for years.

In fact, I’m doing it right now. (I’m not famous) That’s right. I do a good bit of my writing lying down. Not sure when it started, but it does have its perks and it helps make the writing process more relaxed.

This, in turn, can help us focus better as we write.

It is beneficial for our writing processes overall. It helps us relax while we write and we look forward to doing it again.

That is one of the keys to writing: do it in such a way that you look forward to doing it again.

If you make your writing procedure a humdrum that you cringe at, more than likely, you will quit before you really get into it.

If you are able to make ways to enjoy it. It’ll be much easier to do every day.

And as a writer that’s one of our main goals: to get ourselves to do it every single day.

Writer’s Block or Imposter Syndrome

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3. Don’t show it to anyone till it is done and pretty.

One of the reasons we get afraid to write is we worry what others will say about it.

This is a very normal fear.

Just because it’s normal doesn’t mean it goes away without some battling and effort.

One thing you can do to help yourself get over that fear is to never show your work before it’s finished.

Artists do this.

If you’re in the middle of a painting you would never want to show it to anyone, because it would look like some weird blobs.

And that’s because in the middle of the process there are some weird blobs.

Same thing with our stories. In the middle, there might be loose ends, bad wording, and bad grammar.

But if we keep it to ourselves and write out the entire thing before showing it to anyone this will take a huge weight of fear off of us just to write and not worry about it.

When you are in the process of writing, write as if no one is going to ever see it. Then you are free to write.

(In the editing process you can start to worry about people seeing it 😉 )

Bonus:

Someone might be wondering, “what if I want someone to read it in the middle to see if I’m on the right track?”

That’s totally fine. The point is to make you feel less nervous so you can actually start writing and not put it off because of fear.

In fact, if you are going to have someone sample it, I recommend polishing off a chapter or two and having them read it after you’ve edited them a bit.

Pick someone you trust and that also is interested in the genre you’re writing.

Hope this helps!

Happy writing!

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Bluehost hosts your blog so that you can own your domain and make money blogging. Check them out only if you’re interested in making money blogging; otherwise, go for a free blog instead 🙂

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

Try Grammarly, The Free tool that should be in every writer’s toolbelt.

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Writer’s Block or Imposter Syndrome

Check this out.

Is Writing your craft? You might love this. Check out the 4,900+ reviews it has on Amazon to see if this might be what you’re looking for.

Or

Optional: See if this FREE Amazon book will pique your interest. It is a part of Project Gutenberg. If you love Little Women, you should give this book a try as well.

Now back to the show: Writer’s Block or Imposter Syndrome

                                                                        

Writer’s Block or Imposter Syndrome

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If you enjoy Writer’s Block or Imposter Syndrome, storytelling, and creating content in general, you might love owning a domain of your own where you can write about it? Ever want to own your own domain name (Yourname.com)?

Bluehost hosts your blog so that you can own your domain and make money blogging. Check them out only if you’re interested in making money blogging; otherwise, go for a free blog instead 🙂

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

Try Grammarly, The Free tool that should be in every writer’s toolbelt.

Try it for free now.

Writer’s Block or Imposter Syndrome

Check this out.

Is Writing your craft? You might love this. Check out the 4,900+ reviews it has on Amazon to see if this might be what you’re looking for.

Or

Optional: See if this FREE Amazon book will pique your interest. It is a part of Project Gutenberg. If you love Little Women, you should give this book a try as well.

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Writer’s Block or Imposter Syndrome

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Mythical Creatures | 7 Tips How to Write Mythical Creatures

7 Tips How to Write Mythical Creatures
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Mythical Creatures | 7 Tips on How to Write Mythical Creatures

Mythical creatures are fantastic and fascinating. It is almost always enjoyable to read about mythical creatures or to see mythical creatures like the ones in Harry Potter and Lord of the Rings.

Some mythical creatures roam the forests and the foggy mountains unseen by the majority of mankind while others only exist as greek mythical creatures or fairy tales.

So instead of just showing a mythical creatures list, let’s talk about how to write mythical creatures of our own.

Let’s try to make up a new universe of mythical creatures or our own stories.

Writing mythical creatures from greek and egyptian tales, harry potter, and fantastic beasts is fine, but there is something extremely enjoyable about coming up with brand new mythical creatures that no one has heard of or come up with yet.

Mythical creatures can come in varying shapes, sizes, and power.

They can live anywhere. Your mythical creature could naturally be in the sea, sky, forest, desert, mountain, sewers, wherever.

They also could be good or sinister in nature.

A mythical creature could be beautiful and kind and bringing good things, or they could be grotesque and terrifying and be the stuff of nightmares.

So how does one write a mythical creature and determine what it’s nature will be?

What is our mythical creature’s purpose?

This is key when first coming up with a mythical creature list for your story or just one mythical creature to add to your plot.

Does your character get help from these mythical creatures or does the mythical creature present a challenge to your characters?

When you know what it is there for then you can simply make a it a good mythical creatures or a horrible one.

Some mythical creatures are there for decoration. They don’t have much of a purpose other than to be seen and awed by. 

These types of mythical creatures might be more majestic and beautiful in nature or so large and powerful that they merely exist and don’t notice mankind as more than a human notices an ant or germ.

So once you have your purpose for the mythical creatures or creatures in question then you can start to use it for your purposes.

What if my mythical creature is evil?

IF your mythical creature has the purpose of challenging your main characters then it needs to be either hideous and dangerous or it must be colossal enough to really pose an imminent threat.

You can decide what type of danger your characters are suddenly in.

Is it like they just landed in a pit of poisonous vipers? Or did they accidently cross paths with a lion? 

Think of your mythical creatures like animals. 

Is your mythical creature the main antagonist?

Another option is to have your mythical creature as the main antagonist. This would make it either intelligent like humans or so sinister in its purpose that it creates suspense in its existence.

Some mythical creatures are just challenges or hurdles along the way, but some make it into stories as the creatures that are hunting or stalking our characters day and night.

If your mythical creature is your main antagonist, be sure that it is able to convince your reader that the main characters are in serious danger and that they could die or lose at any moment.

This helps keep the suspense in the story and your reader interested on if the characters will survive.

This is to compare mythical creatures in harry potter where the main antagonist was another wizard to the first maze runner where one of the first main antagonists were the creatures in the maze.

7 Tips on How to Write Mythical Creatures

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What if my mythical creatures are to help the heroines/ heroes in their journey?

Mythical creatures that are helpful usually have important abilities that are just good for one part of the story or return multiple times.

Mythical creature sidekicks.

Some mythical creatures are sidekicks and are in the heroine’s journey for the long run.

Think fantastic beasts. In Newts adventures all kinds of mythical magical creatures aid him and most of them are a pivotal part of his character thus playing a role in his character development and how we see him as an entire person.

If one day we saw him and he had no mythical creature up his sleeve we would feel bad for him as if he had lost a part of himself.

Another great example of mythical creature sidekicks is pegasus and Hercules.

Especially in Disney’s adaptation of Hercules Pegasus a mythical creature is his buddy for life. And pegasus is given a personality and personified.

Disney also did this in the cartoon Mulan with Mushu.

Mythical creature one offs.

Mythical creatures one offs are there for a moment and usually pivotal moments but then we don’t see them very much. They may come and go a little between series, but they aren’t playing a major character type like a sidekick.

For example, the mythical creature phoenix that lived in Dumbledore’s office and aided him in his escape from being arrested by the minister of magic.

Also to be noticed 100% is Buckbeak as a mythical creature from harry potter that was mostly a one off creature.

Buckbeak shows up for several scenes, some are for fun but some are a little more pivotal for the movement of the story.

Buckbeat gives Harry a magical fun ride for us, but later on the gang must save Buckbeak from execution because of draco.

This leads our characters to certain places and times they must be in in order for the story to maintain suspense and interest.

Buckbeak even though a one off becomes an important suspenseful and challenging moment for our protagonist.

Another mention is Percy Jackson. There are many mythical creatures in these stories as they liberally use Greek mythology, but here we will mention the seahorse that they ride to the yacht of their antagonist. 

Posiedon sends the horse, but without it Percy and his friends may not have reached their destination in time.

This is a very typical one off mythical creatures as it is literally there for only one purpose: transportation and then it is gone.

Mythical creature plot points.

Dobby. Dobby is one of my personal favorite mythical creatures from the Harry Potter universe.

As a mythical creature he shows up many times in multiple books. He is used by the author to move the plot along. He’s not just a “one off” mythical creature.

At one moment he is trying to save Harry Potter by not allowing him to get back to Hogwarts and at another moment he is saving Harry and his friends from being trapped in a dungeon.

He is an important character that helps the protagonist and moves the plot along in a fun and interesting way.

Conclusion

With these 7 tips, you should be able to write some very important and interesting mythical creatures for your stories.

Hope this helps!

Happy writing!

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7 Tips on How to Write Mythical Creatures

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5 Tips on Naturally Writing Effective Dialogue

5 Tips on Writing Effective Dialogue
5 Tips on Naturally Writing Effective Dialogue

5 Tips on Naturally Writing Effective Dialogue

I’ll be the first one to say that I don’t love writing dialogue.

The actual task of recording down their conversation is quite un-riveting for me personally.

That being said, analyzing dialogue and the actual process of creating it, thinking through it, and revealing character using dialogue is quite fun.

It shows your reader:

– What’s going on in characters heads

– What their normal life is like

– Into scenes that they might otherwise not be able to see

– The story

– What makes characters different

– What makes them similar

– It can persuade your reader to believe something about a character that may end up being a great twist later

– Suspense

– Drama

– Conflict

– It also makes pages easier to read through

Think about people talking normally.

When you’re out the next time to the movies or mall or restaurant, out to the groceries or whatever.

Be purposeful to hear the way people talk to you and others.

Even think about the way you speak to others and your mannerism.

You can log this information away as normal speech patterns.

The more people and cultures you interact with the more dialects and different speech patterns you find.

But a great way to figure out how to give your characters the right words and thoughts is to listen to people in your real life.

Talk your dialogue out loud.

Another great dialogue practice is to have your character’s conversations out loud with yourself and maybe your editor or friend. Whoever you have that’s willing.

When you hear it out loud it gives it an entirely new feel and it’ll be easier to tell if it sounds weird, odd, or abnormal.

Draft it out.

One of the best pieces of advice I’ve ever heard when it finally comes to sitting down and typing it out on the keys is to write it out without making many punctuations at first.

Just let the words flow fast and naturally so that you can feel what it’s going to look like and sound like right away without stopping much to be distracted by punctuation

Don’t be overly concerned with he said, she said just yet except to just keep it organized.

This will really free you up to create the dialogue and have it come out right rather than being bogged down in the first draft by all the writing technical work.

5 Tips on Naturally Writing Effective Dialogue

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Add the punctuation after you feel the dialogue is right.

Take your time in the editing process of your dialogue to make sure it sounds natural and each character has their own voice just like a real human.

When their talking and interaction seems right for them add the punctuation.

This helps compartmentalize the creative process from the technical process.

Common dialogue pitfalls to watch out for.

– Don’t overuse names.

Overusing someone’s name in real life is weird and it’s weird in writing too. Unless your character is a creepy salesperson.

– Try not to create a repetitive chain of information.

If you need two characters to talk about information that you already introduced once just make it that the second character found out from another source.

“Did you hear about so and so?”

“Yeah I did. Jackie just told me. Crazy right?”

– People in real life day umm a lot and make filler noise. Characters do not mostly.

Take this thought liberally as every once in a while it helps make a certain character to give them a weird noise that they make while they are thinking, but for the most part, cut it out.

– Get on get out.

Make each line have a purpose. 

Most characters shouldn’t talk too much. And other characters shouldn’t talk too little but our dialogue needs to have a point and move the characters forward in the plot. 

If they decide to head for Starbucks to gab about ‘whatever’ in reality one of the characters is about to bump into someone important. 

Otherwise they need to be meeting up at Starbucks to discuss things that are important to the plot and revelation of character.

– Help the reader see who’s talking without being annoyingly redundant.

He said.

She said.

He asked.

She said.

We don’t have to add ‘they said’ at the end or beginning of every quotation.

The goal is to just make sure that we are clearly letting the reader know who is talking and then write the dialogue in such a way that they can skim through and it’s very clear who is saying what even if we stop writing he said/she said/ she asked, etc.

Make your main goal to just tell the story and make it simple. Don’t be tempted to over display what they are feeling with adverbs while they speak.

Hope this helps!

Happy writing!

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1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better

1 Bad Writing Tip You Can Cut Out Right Now That'll Make Your Writing 10X Better
1 Bad Writing Tip You Can Cut Out Right Now That'll Make Your Writing 10X Better

1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better

There is one thing that many authors do.

It could be by accident. It could be on purpose.

But if you cut out just this one thing, your writing will be better to read instantly.

What is that one thing?

Passive voice.

Now this doesn’t mean we can Never use passive voice as authors.

It just sounds better and it’s less wordy if we don’t. And less wordy is almost always better.

What is passive voice?

Passive voice makes the object look dominant to the subject.

For example, passive voice would say,

– The book was thrown by the student.

– The guitar was played by the musician.

– The door was opened by the driver.

Instead as writers we mostly want to use active voice.

What is active voice?

1 Bad Writing Tip You Can Cut Out Right Now That’ll Make Your Writing 10X Better

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Active voice makes the subject the emphasis over the object.

For example,

– The student threw her book.

– The musician played the guitar.

– The driver opened her door.

You can tell from the examples that active voice makes each sentence more concise and more clear. Not to mention it just sounds better.

It’s less wordy. And less wordy is less stress on the brain to figure out what is happening and why.

We want our reader to flow through our sentences and not think about the fact that they are reading.

We don’t want them to have to stop to think about which is the object and which is the subject.

We just want to be clear the first time.

How do I find passive voice in my writing?

The fastest way is to look for the subject and the object in each sentence.

If you can find those then you’ll see whether the object of emphasized or the subject is.

Passive,

– The mouse was chased by the cat.

Active, 

– The cat chased the mouse.

Cut out “was”and “were” from most of your sentences when you can.

When to use passive voice?

If you want to put the dominant thought onto the object instead of the subject then use passive voice. Otherwise just default to active voice.

So there you have it.

One of the easiest things to do to improve your story is to run away from passive voice and never look back.

Your sentences will be easier to read.

Your reader won’t have to stop to think about what is acting upon what.

Your sentences will be less wordy.

Cut out passive voice and your writing will be better today.

It is an easy and steadfast trick to making any story or project perform better with little effort.

Go back and look at some of your past writing to see how often you use passive voice.

If you change it, does it look better?

Do you notice the difference when you emphasize the subject instead of the object?

To make your ideas more clear for your reader, cut out passive voice.

Hope this helps!

Happy writing!

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Is Writing your craft? You might love this. Check out the 4,900+ reviews it has on Amazon to see if this might be what you’re looking for.

                                                                        

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4 Tips How to Write Cliffhangers, Hooking in Your Reader for More

How to Write Cliffhangers, Hooking in Your Reader for More
4 Tips How to Write Cliffhangers, Hooking in Your Reader for More

4 Tips How to Write Cliffhangers, Hooking in Your Reader For More

The cliffhanger is not a new technique. 

In fact, writers have literally made movies around the idea of dangling our beloved character off the side of a cliff to get us at the edge of our seats, biting our nails, ignoring everything else in the universe to see “what happens next?!”

Thankfully even though this technique has been waaaaayyy overused. It still works.

We can definitely add this one to the proverbial toolbox.

Keep it simple

We don’t always have to dangle our character over a cliff in order to make this technique work.

In reality, this won’t work if we do it too much. Our reader will see through our antics and get bored.

If our main character almost dies at the end of every chapter hanging over a cliff, you can bet the reader will be saying “fool me twice, shame on me” by chapter three.

Instead find creative ways to make little cliffhangers during chapters and at the end of chapters.

Them almost dying at the end of every chapter makes for boring and not suspensful, but if they were about to lose a relationship, or be caught doing something they shouldn’t and the reader has to go to the next chapter to find out what happens next, then you’re winning.

Examples:

– Characters are in a fight and might break up

– Something is about to hurt character like a dangerous animal

– One character just went missing

– A character just witnessed another doing something suspicious and unexplainable

Basically we want to create a smaller conflict that needs to be resolved in our reader’s mind that will gnaw at their curiosity until they get the answer.

This works best if we have done a good job of getting them interested in the characters’ lives and feelings.

Keep creating questions

We have to be careful how we do this one.

If we create a question for our reader to look forward to the answer, we better darn well answer it.

And a great skill to practice is the creative ability to create questions when we give answers.

Use dialogue to help the reader see the answer and the next question.

Dan Brown does an amazing job with this in the DaVinci Code

He uses Langdon in this way.

Langdon will answer one of the mysterious questions, one of the riddles, but then he’ll say something to the effect of, “but if that’s true then what about this?

And then Langdon will say, “we need to go to the Sistine Chapel,” and before we know it Langdon is being shot at on the way to the Sistine Chapel and we’re hooked to find out if he’ll make it.

This is genius for answering a question we made and leading the reader right into the next one without drawing it out to much and leaving the reader bored as they wait for the next riddle to solve.

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Your character can simply say, “this answers this question, but now we have this question to deal with.”

Now when your character needs to go to the next place we are happily following along.

It would be a bad idea to have no reason for your character to go to the next place and we just somehow end up there and stumble upon the next clue.

This technique can be toyed with, but I think you get the idea.

Create questions while answering questions, but BE SURE to answer all your questions eventually. Don’t leave your reader feeling cheated of the time they invested in reading your story.

Make them feel like they can predict what’s going to happen next, only to fool them.

Lead your reader into the most obvious choice or answer to the riddle.

And just when they think they’ve figured it out, put a twistaroo on it. (twistaroo is not a real word 🙂 )

This is called a good twist.

One of my all time top 10 fave twist moments was in the Sixth Sense. “I see dead people.”

I recommend watching it if you haven’t and as long as you aren’t easily spooked.

Spoiler alert:

The twist in the end was so shocking to me, I never saw it coming that Bruce Willis was dead the entire time.

It was like a left hook sucker punch for me and I, to this day cannot think of a better twist or reveal. Now that I think about it, it’s easily in my top 5 twisty movies.

So just like that, lead your reader into thinking that they know where you’re headed just to cut them off at the pass.

Surprise them wherever you can and they’ll love you for it.

Give them something to look forward to at the start

Don’t waste any time setting your reader up for cliffhangers.

Get started right away in chapter letting them know they are in for a fun ride.

Our main job as writers is to entertain.

Start off with a bang:

– “That’s the moment he knew he’d never see her again.”

– “As he looked at the clock sweat began to fall off his nose. He was taking to long.”

– “Bubbles were still surfacing as I dove into the river after the sinking suburban.”

Create mystery, intrigue, and suspense right away.

Don’t waste time explaining the plot, characters, or other detailed ideas. Allow the plot to unfold without them thinking, “oh so the plot is going to be about this.”

Allow your reader to discover clever ideas as you get them to turn the next page with cliffhangers.

Don’t let the reader in. Don’t show all your cards too quickly.

Be strategic.

Set up a powerplay by creating a moment of intense intrigue and use it to carry your reader to the next plot point without them knowing how they got there.

Entertain them as you reveal that your character’s mother is the true villain and everything they were raised to think was a lie.

It’s absolutely okay and maybe a good idea to make your reader confused and in the dark as long as you are going to show them the light and solve their confusion by the end of the story.

Never leave your reader feeling, “Why did I just read that? What was the point of all that?”

Give them something to continually look forward to or else they will look forward to it elsewhere.

Hope this helps!

Happy writing!

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4 Literary Techniques to Make Your Fiction More Digestible

4 Literary Techniques to Make Your Fiction More Digestible
4 Literary Techniques to Make Your Fiction More Digestible

4 Literary Techniques to Make Your Fiction More Digestible

Writing fiction is fun.

C.S. Lewis hits the nail on the head when he says, 

You can make anything by writing.” – C. S. Lewis

It is so true. Anything your imagination can dream up, you can write, and if you can write it, then it can come true in your reader’s mind. Even if just for a moment.

Walt Disney said “It’s kind of fun to do the impossible.

That’s the wonderful side for the writer is we get to have fun creating the impossible.

But there’s a down side too.

Creating the impossible takes a ton of work, discipline, stress (at times), and know-how.

And our work isn’t necessarily an art form as much as it is a work of building entertainment.

Fiction is supposed to be entertaining; otherwise, readers wouldn’t read fiction.

So how do we help our readers gobble up every page?

There are certain literary techniques that have been used in storytelling for a long time that are powerful and should continue to be used in the stories we create today.

There are many literary techniques to make your fiction more digestible, but these four have been used uniquely throughout literary history and have become pillars.

Parallelism

What is parallelism?

It is the state of something corresponding or being parallel to something else.

Example,

He came. He saw. He conquered.

Story details can parallel too.

In the Star Wars Saga, Finn, Poe, and Rey parallel Luke, Leia, and Han Solo.

So you too can add parallelism to your story by adding characters that parallel each other.

Events can parallel.

You can have a story within the story that parallels what will happen to the main characters.

In Stranger Things, we see the boys playing Dungeons and Dragons. The game adventure they are playing with the “Demogorgon” parallels what will happen with them in real life very soon.

How is Parallelism used?

Parallelism is a way of leaving dynamic clues or breadcrumbs for your reader to follow. It makes the material more magical and creates powerful “re-readability” with your story.

Meaning, if they pick up your story a second time they may notice the parallelism in a way they didn’t before. This instantly makes your story more interesting to pick up again than stories without this technique.

I personally love “re-watchability” and “re-readability” in the stories I get into. It makes the difference between whether a story is good or amazing for me.

Foreshadowing

Foreshadowing and parallelism are very similar.

What is foreshadowing?

It’s a warning or indication of a future event.

In Stranger Things, the “Demogorgon” is also a foreshadowing of what’s to come.

A common “foreshadowing saying” that has been used a billion and one times in storytelling is the famous line,

Be careful what you wish for…

This usually happens after the character has lost her temper and said something like,

I hate my life. I wish I was never born!

Then some mentor or well meaning older character says “be careful what you wish for.

And then the next day nobody remembers them as if they were never born and the main character learns a life lesson through the events that follow.

We see this happen to Macaulay Culkin in the Home Alone movies.

Foreshadowing is a powerful way to build a relationship with your reader. 

By giving them foreshadowing once you will have shown them that you are clever and thoughtful about your writing and the foresight of where your story leads.

They will be looking forward to this same cleverness in all your stories henceforth.

Thus giving you “re-readability.” 😎 

Repeating Important Details

The repetition of details whether it is about objects, people, or events will get your reader’s mind pumping.

It will alert them that something very important is happening in the repeated details and they will try to figure it out before you flat out tell them. 

They might also be the sort of reader that just loves a good build up to a reveal.

So repetition is appealing to most readers.

The main character could be trying to remember something about a certain day so you can take the reader into your character’s imagination as they try to remember certain details about the past.

Or you can bring up an object several times. Something as simple as a keychain will do.

But is there more than meets the eye about this keychain?

In Men In Black, we see the cat Orion many times before it is revealed to be wearing the thing that everyone is looking for.

We see the most important piece of the puzzle time and time again before we could ever guess just how important the cat is. And even more important the little keychain looking world dangling from its collar.

4 Literary Techniques to Make Your Fiction More Digestible

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4 Literary Techniques to Make Your Fiction More Digestible

Symbolism

Symbolism is a great writing skill to learn how to use well.

What is Symbolism?

Symbolism is when you have an object, person, animal or thing that represents something else.

To many Americans the bald eagle represents America and freedom. 

That’s symbolism.

The epitome of symbolism can be found in the book Animal Farm.

A story about personified animals on a farm where a group of sinister animals manipulate and convince the rest of the animals to work for them instead of being free to work for themselves.

The story represents the early years of the Soviet Union and how socialistic minds took over and took away the freedoms of the common people.

Symbolism is a wonderful literary tool to take from real life and create a story that is easier to digest than a documentary or history book.

For example, allowing animals on a farm to represent the Soviet Union allowed many readers to learn how the Socialist Soviets took the freedoms from their people.

It made the historical event more digestible for a wider audience.

One flaw with symbolism is that it almost always has to be explained outside of the story, it’s difficult to reveal in the story without the writer leaving notes behind that otherwise explain the symbolism. Symbolism almost always has to be explained.

The upside to this is people being able to have open conversations with each other about hard topics that might not otherwise be open to discussion.

Symbolism is definitely a great teaching tool and a way for a writer to share their views about real-world times, events, economics, societies, laws, religion, politics, etc.

Topics that are otherwise harder to talk about openly.

Another creative outlet for symbolism is the writer is able to write about things that happened in their own life without writing an autobiography or saying “hey, this happened to me.”

For example, Stephen King explains some symbolism for IT.

He explained that the story came from the troll under the bridge and the bridge represented the passing from childhood and adulthood. 

He also explains that Derry, Maine represents his childhood home Bangor, Maine.

He ultimately decided that the bridge would be the city of Derry and that something terrifying lived under the city, IT.

When you think of the story in light of the terrifying nature of the journey of childhood passing into adulthood and all the problems that could follow, this makes sense as to why he had the story so woven between the two major themes of their child lives and there adult lives and the 27 year gap he chose to put in between.

You can see more about his explanation here: Stephen King Explains…

We can do this.

We can use symbolism to write about parts of our own lives or stories that inspire us or that we find intriguing, or and especially hard events in our lives.

Most of us in our lifetimes will, unfortunately, go through hard times and traumatic events no matter what background we come from, and writing about those events is a way to share whats going on inside us with other people.

Use these 4 literary techniques to help your readers digest your stories and enjoy them and come back for more.

Hope this helps!

Happy writing!

4 Literary Techniques to Make Your Fiction More Digestible

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4 Literary Techniques to Make Your Fiction More Digestible

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Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

Try Grammarly, The Free tool that should be in every writer’s toolbelt.

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4 Literary Techniques to Make Your Fiction More Digestible

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4 Literary Techniques to Make Your Fiction More Digestible

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4 Literary Techniques to Make Your Fiction More Digestible

4 Literary Techniques to Make Your Fiction More Digestible

                                                                        

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Try Grammarly, The Free tool that should be in every writer’s toolbelt.

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4 Literary Techniques to Make Your Fiction More Digestible

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4 Literary Techniques to Make Your Fiction More Digestible

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We hope you enjoyed: 6 Thoughts on Writing Schools in Fiction!

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6 Thoughts on Writing Schools in Fiction

6 Thoughts on Writing Schools in Fiction
6 Thoughts on Writing Schools in Fiction

6 Thoughts on Writing Schools in Fiction

Schools are up in the air.

Some of us loved it. Some of us hated it, and some people just liked a few things about school.

But nonetheless whether we hate it or love it it has been a part of most readers’ lives.

Writing schools in fiction doesn’t have to be a difficult daunting task. It can be fun and full of creativity. Thankfully many writers before us have created schools in fiction and so we have a lot of wisdom to glean from.

Creating a fictional school is a great way to resonate with audiences and bring many story elements that are nostalgic to a broad amount of readers.

We don’t have to go far to find inspiration for writing a school in fiction because the majority of humans on the planet attend some type of school in their lifetime.

These are some of the best places to draw inspiration from for writing schools in fiction. Draw from your own experiences and memories. Do you remember the teachers that you couldn’t stand?

Do you remember the ones that bored you do death?

Do you remember who you sat next to in math or science?

These are the places to take inspiration from and turn it into a story of your own.

Teachers

Everyone has teachers they’ve loved or hated.

There are so many vibrant teacher personalities that can add unique Dynamics to any story.

You can have:

– the crazy teacher

– Fun teacher

– Strict teacher

– Mean teacher

Teachers can be supportive characters and challengers.

A really fun dynamic is having the teacher be the ultimate villain hiding in plain sight.

Teachers are a huge resource to a writer making a fictional school.

Peers

Again there’s an endless world of possibilities in peers.

Every personality you can think of under the sun you can add and take away.

There could be many relationships or only a few.

There could be a few peers that play pivotal roles. Or maybe just one repeating character peer.

The location of the school

The location of the school is a big deal.

Is it near the main character’s house?

Is it far away?

Do they walk there?

Or do they have to take Transportation?

Is it other worldly?

6 Thoughts on Writing Schools in Fiction

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Is the school on Earth at all?

Is it in the city?

Is it in the country?

What country is it in?

Depending on where the school is, it means a lot for how the reader will preconceive the details of the school and what it looks on the outside and the inside.

The number of students

The number of students affects:

– Sports

– Classroom size

– Competitions

– Band

– Music

– Arts

– Number of classes

– Number of teachers

The number of students affects many details and should be considered.

Curriculum

Is this a regular school?

Is it a school for the dead?

Is it a magical school?

School for animals?

School for adventurers?

What is the school’s main purpose?

Some extra random thoughts to consider for writing your fictional school:

Are there competing schools?

How are the students arranged in the classroom?

When it comes to making a fictional school there are lots and lots of details to sort out.

The more questions you can answer before writing chapter one the better and it’s best to write these answers down somewhere so that you have a reference to look back on.

Otherwise it’s tough to remember how you first felt about the school and what you dreamed it would be.

Hope this helps!

Happy writing!

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The #1 Way to Make Your Scenes Not Boring While Revealing the Story

The #1 Way to Make Your Scenes Not Boring While Revealing the Story
The #1 Way to Make Your Scenes Not Boring While Revealing the Story

The #1 Way to Make Your Scenes NOT BORING While Revealing the Story to Your Reader

Master writers and editors know what it takes to make scenes not boring while revealing the story.

Let’s talk about what makes a scene boring.

There is one major thing you don’t want to do to your readers when writing a scene and revealing the story.

Don’t make it work for them to read it.

Period.

If you make it a ton of work for them to get through chapter one scene one, they are going to put down the book and probably never want to pick it up again.

Here is how you make it a ton of work for your reader to make it through your scene. 

Chapter 1: I tell them about the world, the shops in the world, the streets in the world, the mountains, the trees, what the birds look like, the cool and exotic plants. I tell them about the characters and every tiny detail about them. I tell them about her hair and her eyelashes. What she thinks about the flowers…

Do you get where we are going with this?

We are being a bit exaggerated here, but let’s be honest, it happens. And stuff like that used to work, but not today.

To make a scene “too much work didn’t read” (TMWDR) aka (TLDR) we give them a million descriptive details to read through without once moving the story along!

And our reader is left feeling like, “let’s get the ball rolling people!”

We can give them the details about the beautiful world in our imagination, but give it in small doses and allow them to use some imagination.

Move the story forward

We can give them some descriptions and we should, but great authors know that in order to be allowed to explain what a character looks like we have to earn the right to talk about them and why they are important.

The way that we earn the right to tell the reader anything while revealing the story, is when they are thinking this one secret thought.

We have to put this one thought in their minds and keep it there, the moment we’ve lost this thought that we’ve put in their heads, they’ll put down the book.

That secret thought is the same one all great writers use across all mediums, whether it’s story, freelance, copywriting, blogging, or marketing.

The secret thought is: “If I just read a little bit further, I’ll find out what I want to know.

When we are so into reading anything, a story, an article, a blog, we have this same thought too. It’s really more of a feeling. But we read on intently looking for the answer to our questions.

Questions like, “What will happen next?” “What is going to happen to this character now?” are what we want our readers to think as writers in any medium.

The way we plant the secret question in their head using story

The way we create the secret question is simple.

Keeping it in their minds is the hard part about writing a story and writing one that readers can’t put down until they’ve read every last page.

The way is simple but executing takes time, practice, and insight.

How do we create the secret question in their head?

We create a problem that must be resolved.

The way we make scenes not boring

The way to make scenes not boring is to move the story along. (I know we said this above but go with me here as we explain further.)

We need to give the reader something to be curious about and look forward to.

Along the way we slowly but surely reveal characters and scenery and explain little bits and pieces of the world and bring them into our world and share it with them.

But to make a scene not boring and to move the story along we must create curiosity about what happens next!

How to get your reader thinking what happens next?

It is the coveted moment. The reader can’t stop reading page after page, chapter after chapter all because they keep thinking, “what happens next?”

But how do we get them thinking this through every chapter?

I already told them about the hero and the bad guy and he wants to destroy the world, what else keeps them curious?!

The #1 Way to Make Your Scenes Not Boring While Revealing the Story

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The #1 Way to Make Your Scenes Not Boring While Revealing the Story

The journey.

Moving the story along is the journey it takes to get from the introduction of our characters to the main problem that faces them to seeing it out to the end and all the misadventures in between.

But how do we make the journey interesting?

Let’s ask a more detailed question. 

The one we’ve been asking all along.

How do I make each scene interesting?

Give each scene a purpose.

If every single scene we bring the writer into doesn’t have a purpose in moving the story forward then why on Earth are we telling them about the scene?!

So when you plot your outline be thinking of each scene and the “why” behind it’s necessary existence, because if your reader reads one or two scenes that seem to be not purposeful, that is, there is no “pay off” for them taking the time to read it they will likely put down the book.

An easy way to give our scenes a why

Yes, in our scenes we may want to show a certain detail about character development or reveal a hidden artifact, but the easiest way to get the reader through it and on to the next page is to create mini difficulties for the characters.

Our main problem may be that the antagonist(s) wants to blow up the world but while our hero is on the way to stop the no good antagonist(s) they need to run into many challenging obstacles on the way.

Think of your story as more of an obstacle course

To get to the finish line our protagonist needs to run through the maze, climb the slippery slime wall, survive the dread log tumble, jump through the fiery hoop, and before they can even see the finish line they have to carry the weighted sack of fortitude up mount killmyback.

That’s a story.

And each obstacle is a scene. We see the obstacles and how the character handles them and each obstacle reveals more and more to us their true character. (“Show, don’t tell.”)

That’s how we move the story along, keep the reader interested, and reveal the true nature of our characters as we go 🙂

If we told the reader all about how each obstacle was made, how long it took, and about the nuts and bolts of it, that might be a little interesting (if you are trying to write a documentary about the story) but not if they haven’t seen it in action and seen how the course wrecks a character and is extremely interesting to watch. 

Give each scene a purpose while you are revealing the story.

Make an obstacle around that purpose.

And your reader will be thinking that coveted question, “What’s going to happen next?!”

Hope this helps!

Happy writing!

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The #1 Way to Make Your Scenes Not Boring While Revealing the Story

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The #1 Way to Make Your Scenes Not Boring While Revealing the Story

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6 Tips How to Write the Lovable Jerk

How to Write the Lovable Jerk
How to Write the Lovable Jerk

6 Tips How to Write the Lovable Jerk

Why oh why do we love the jerk?

It’s a common phenomenon.

“Girls like the bad boy.”

” Nice guys finish last.”

“Play hard to get.” 

These are common phrases we know and here that revolve around the psychology of people liking jerks.

So how can we use this phenomenon in choosing and writing our characters?

How to write a lovable jerk

#1 Everyone Wants It, But Too Much is a Turn Off:

Confidence

Everyone wants it.

But nobody wants arrogance and there’s a fine grey line between the two (is it grey or gray?).

If your character is too confident then it comes across as arrogant and your reader will start to loathe them.

But one main reason most people like the jerk is because she is confident.

Confidence is a very attractive quality.

What is the opposite of confident?

– Needy

– Clingy

– Whining

– Pathetic

– Self-loathing

“Ewww…”

If you’ve been reading and a character is too sympathetic towards their own bad situation it comes across as unattractive. This is self-loathing, the opposite of cool, confident, and collected.

These are simple ways that you can write your lovable jerk. Avoid the above list.

Part of the reason people love a jerk is because without shouting “I’m really confident!” they just are. They ooze cool and confident because they aren’t afraid to say what they are thinking because they could care less what the other character thinks.

If your character is too confident this plays the opposite and your reader starts to despise that character.

We have to let the confident vibes go a little but then play some other strings too to bring the whole song together.

#2 Can’t Keep Up With Him

Quick Wit

Something that helps our jerk be admirable and get away with being a little bit of a jerk is having a quick wit.

Remember all those comebacks you thought of a day later and said “Ugh! I should have said that!”

Your lovable jerk is quick and never misses an opportunity for a quick comeback.

What’s at play here?

People admire and love to be around a person with an entertaining quick wit.

There is a give and take though. (Just remember that to nail down the lovable jerk you’re always on a fine line between annoying and suave, attractive and not so much.)

This doesn’t mean your character is running around insulting everyone. That’s a jerk, not a lovable jerk. Everyone loves to hate the know-it-all jerk and they want to see them get their comeuppance.

That’s the opposite of what you want your reader to feel about this character.

You want your character to be a bit of a jerk but at the right place and time.

Timing is important.

Think of Sherlock. Extremely intelligent and a faster mind than anyone he interacts with. He could dance circles around anyone with his wit, but utterly rude the majority of the time. 

Even though he can be insultingly rude at times we still love him and want him to accomplish his goals.

We love him and find him interesting because he is fun to watch and extremely intelligent.

We also like him despite his jerky side for another reason.

#3 Good Will

Slightly good intentions

This works with anti-heroes too.

You can love a jerk like Sherlock because he ultimately is looking to stop the bad guys and save the innocent.

His internal motives may be complex, but at the end of the day his actions save the victim and stop the villain.

In a scenario like this we excuse bad behavior because we experience mostly good behavior.

We as humans are very good at overlooking some bad if the good outweighs it in our opinions.

For instance, if you made a list of pros and cons about a character like Sherlock his pros would outweigh his cons for most readers. Not all of course, but most.

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6 Tips How to Write the Lovable Jerk

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How to Write the Lovable Jerk

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How to Write the Lovable Jerk

How to Write the Lovable Jerk

#4 We are Hoping He’s not as Deep as a Puddle 

Character Depth

A lovable jerk can be nothing but a Jerk at the beginning of our reader meeting them, but if they don’t change slightly or if more about their character doesn’t get revealed by you the writer, as time goes on, your reader will never like them.

For example, Finnick from Hunger Games is a jerk character that many fans love.

It helps that he’s attractive but let’s take a deeper look. We all know looks can give you an advantage, but they can only take you so far before you’re labeled as an attractive, stuck up jerk.

When we first meet Finnick he’s just a jerk. Pain and simple.

But then we spend more time with him and find out he’s for the rebellion.

Further in we see multiple caring sides of him as he tries to protect all those around him. He carries an elderly handicap woman on his back to try to save her life.

His fiance is captured and turned crazy and he remains faithful to her. In the end he gives his own life for Katniss Everdeen and a cause bigger than himself.

Finnick may be stuck up and full of himself at first glance but with time we see his depth of character and that makes him a lovable jerk.

#5 Nobody Likes A Whiny Whiner

There’s a specific writing trick where you can add a sad incident or backstory to a character to gain some sympathy for the character.

Tread lightly with this one.

It can be easy to start with that or to drone on and on about how terrible and tragic their unfortunate event is, but don’t do this.

If you are going for a lovable jerk something bad or many bad things can happen to them, but they need to react correctly in order for your reader to feel positively for them.

Unless you use it as humor or a small arc in their story they can’t wallow in sadness for an entire chapter or two. Humorously they can wallow a little, but realistically it can push your reader away from that character if you’re not careful.

If you want them to be lovable they can only mourn for a moment or for a time that the reader can fast forward through.

For example, “he drank himself to sleep every night that year.” And done. 

Okay, realistically we can give a few more fun facts about their depression than just that, but soon and very soon something that sparks change needs to take place.

You can use sadness for depth of character but if your jerk is to be loved, make it short.

Another way to use tragedy in your jerk’s life is to make him get over it quickly and to move on.

This can be helpful for creating character depth as well.

#6 “I’ve Been Looking at the Man in the Mirror”

Change

One really easy way to write a lovable jerk is to create a character that is about to make a BIG change.

We’ve seen this done many, many, many, many (if you didn’t know, it’s been done a lot) times and it works out equally well despite maybe being a little over done.

One of the major monarchs of this type of lovable jerk is Scrooge.

Scrooge is an iconic lovable jerk that starts out as… well… he starts out as a Scrooge (pun intended) but we see a transformation in his character and in the end he’s super generous.

Another good example is Jack in The Family Man

Jack leaves his high school sweetheart for riches and success.

When we meet him he’s so high on the high horse that we couldn’t stand to be around him, but as the story goes on he completely changes into a really awesome character.

This type of transformation, redemptive story is a great way to make a lovable jerk.

Hope this helps!

Happy writing!

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