The 6 Pillar Character Personalities of Great Storytelling

Most great novels carry similar characteristics if you strip them down to their bare bones.

One of these characteristics is the personalities you find and the specific role these certain characters play in creating what could be called a dynamic cast.

# 1 Is nothing new, but extremely important.

Main Character

This is your Harry, Frodo, and protagonist.

We follow this character from beginning to end no matter what. They are our guide and everything revolves around them. No question, any story that strays from this pillar of storytelling comes off a little strange.

# 2 Just as noteworthy and kills any possible awkward silence.

The Sidekick

The Sidekick has many jobs to handle.

They give the main character the ability to share their thoughts with the reader.

They play comic relief.

They are the trusted confidant of the main character and can either be a giant help out playful burden (Sam and Frodo VS Donkey and Shrek)

The sidekick is not always necessary (but where would Sherlock be without Watson) but immensely helpful to the writer in many ways.

We strongly recommend the inevitable side kick.

If our main character is a lone Wolf we better have a good reason for it.

#3 Another pillar of the story. What novel would be a story without:

The Antagonist

They’ve been called “he who shall not be named.” Sauron and Moliarty. Remember Professor Moliarty from “Darkwing Duck?”

Not to be confused with Moriarty from Sherlock. I can see how you would get those 2 mixed up. Very common sounding name.

Yes, the antagonist is destined to be pitted against the protagonist, the main character of most stories.

Now it should be mentioned. Not every antagonist is a character. The easiest way to think of an antagonist is to think of it as a force. 

If your main character is trying to survive and save their family from a tornado. The tornado can be our antagonist force. It’s up to the writer.

But something or someone must be challenging the main character or there might be no story to tell. It’s a story after all and to be interesting for the majority of stories there has to be conflict.

# 4 Not always necessary, but always welcome and very wise indeed:

The Guardian/ the Mentor/ The Teacher

Thank you Gandalf, Dumbledore, and Merlin for your guidance, wisdom, and help on our adventures. We’d probably be dead without you.

The Guardian is extremely self explanatory but this character oversees and guides the main character while helping them accomplish their task.

In many cases the teacher actually pushes the main character into their adventure as a direct catalyst. Thanks Gandalf. Without you Bilbo would never have found the Ring and middle Earth would be lost to Sauron.

It’s nice that things worked out that way.

The 6 Pillar Character Personalities of Great Storytelling

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What’s love got to do with # 5?

The Romantic Interest

Not totally essential. Many main characters have accomplished their goals without them and some have even been hurt by them. Poor Disney’s Hercules, poor little guy, he didn’t know.

But the romantic interest can play a huge role in any protagonist’s journey. Some Plots wouldn’t have moved forward without them.

Was the Little mermaid really interested in walking? Or did she really want the prince? Please feel free to debate in the comments 😉

But seriously where would the rescuers down under be without each other?

The romantic interest is a great way to move the story where we want it to go and it’s even possible to use the romantic interest as the moving driver for the protagonist.

The love struck protagonist could try to win the others heart.

Or we can make a climactic moment by putting the love interest in danger.

What’s #6’s problem?

The Critic

The Thinker is a critic and they think almost the exact opposite as the main character and their sidekick.

Not every story has a critic just like not every story has a side kick and sometimes the critic and the Sidekick can replace each other.

The critic helps the protagonist think about things differently or outside the box. After all, what dreamer didn’t need a realist and vice versa?

Use the critic to help the main character think outside the box. 

And use them to give the main character weaknesses that their critic can help with.

Not every story needs all of these and any one of these personality types can be manifested in several different characters for example, Draco and Voldemort are both Antagonists and challenge Harry depending on circumstances.

Dumbledore and Snape are both Guardians. Hermione and Ron are both Sidekicks and are both critics at different times depending on what the protagonist and plot needs at any given scenario.

We can do this too. The personalities are not laws of writing as much as tools that are extremely helpful to use and manipulate as we need as writers.

Hope this helps!

Happy Writing!

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How to Write Love-Hate Chemistry in Fiction

Romance is vastly different from any other genre.

But some of the same tricks can work in this genre just like any other genre.

1. Where’s our focus?

We want the reader’s attention to be on our two to six main characters.

If we have a love triangle 3.

If we have separate couples it could be to 6.

But our focus remains on their relationships, dialogue, and ensuing conflict.

Something readers find so enjoyable is the love-hate relationship between two or more characters. 

There are several ways to start a love hate relativistic relationship between two characters.

2. Make them fall fast at first.

Love at first sight is a fairy tale right?

In most cases yes, but for your love hate relationship it’s the perfect concoction for fun chemistry tension.

Make it ready for them to immediately crush on each other and have them make far too aggressive moves in the relationship early before they even really get to know one another.

Before they know it they are neck deep in a very committed relationship when they find out there is some stuff they really can’t stand about each other.

As a writer, we are setting them up quickly on purpose to have them fall.

This creates a good amount of tension, humor, and conflict.

All are wonderful ingredients for a good love-hates relationship.

Help them break up or fall out of love only to have them be unable to get away from each other for whatever reason so that we force them to work it out. 

But the time they do work it out we will have a whole boat load of material to put on the page as interesting conflict and resolution where they ultimately end up together despite not being able to stand I’ve another for a time.

3. Give them a reason to hate each other when they first interact.

No story has done this quite like You’ve Got Mail.

That story is the epitome of a love hate relationship.

We can do this too.

We can create a reason why they meet and make that reason something that would otherwise put a wedge between them forever.

But since we are ultimately going to play matchmaker with them, come up with ways for them to continue to run into each other and not be able to totally stay away as much as they would like.

Then create moments where they have good times together but aren’t trying to and are actively fighting against until the chemistry is obvious to your reader but not to your characters.

How to Write Love-Hate Chemistry in Fiction

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4. Create characters that try to pull them apart.

These types of characters can be:

– Friends

– Parents

– Siblings

– Ex lovers

– Etc

The thing about these characters is that they can be nefarious or well meaning.

It all depends on how you want the story to be portrayed.

This can also be humorous or serious.

Either works and it’s up to you and your creativity.

These characters whether well meaning or not may choose to lie, cheat, and steal in order to keep the couple apart. Because that’s what real people do and it adds extra conflict to the story.

5. They need friction.

Let your reader see them fight.

They can fight over big stuff and little stuff.

The littler it is the funnier it might be.

The bigger it is the more serious it might become.

Just be sure to include their fights.

Some fights lead to other fights.

Some fights lead to other plot points.

And some fights are just one-offs.

These types of fights should not escalate into throwing punches or any type of abuse.

Probably best to just avoid that unless you’re writing a story about the evils of abuse.

6. Make their chemistry obvious to the reader but hidden from the characters.

This is a very fun moment for our reader. 

The “ooooo! They like each other!” moment.

And it’s fun for the reader to feel the angst of wanting them to see it and be together but it still doesn’t happen yet.

Make them hold out for it. The longer we make them wait for it, the sweeter it is when they finally receive what they’re wanting.

But don’t make them hold out forever or eventually they’ll lose interest thinking you are holding the treat in front of their face but never going to give it to them.

Tease them, but don’t deceive them.

Hope this helps!

Happy writing!

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How to Write Love-Hate Chemistry in Fiction

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“Show, Don’t Tell” Is Such Cliché Writing Advice. 8 Tips How to Use This Cliché

If you have been studying how to write fiction for any period of time it won’t be long before you run into the phrase “Show, Don’t Tell.”

This phrase gets thrown around like peanuts at the circus.

People throw it around like it’s the end all be all of all writing knowledge, but in reality, there is a lot to be unpacked in this little phrase.

1. Where did it come from?

It’s thought that Anton Chekhov first coined it, but it is immortalized in Percy Lubbock’s ‘The Craft of Fiction’ from the 1920’s.

So who really knows? I guess it depends on how you think someone owns the words they say or write down.

So if it has stood the test of time (it’s not the Bible, but 100 years seems like a fair amount of time for a written English phrase) it’s probably worth talking about a little.

2. Don’t go overboard.

It seems that one of the biggest mistakes with writing advice like this is to run with it and assume that there is absolutely no place in Storytelling for “telling.”

This would be a mistake.

Telling is a key part of being short about facts or information that needs to be done in a short way.

For example, you would say, “he got up at six that morning, took a shower, made coffee, and read the news for about fifteen minutes, just as he did every weekday.”

In a scenario like this, you don’t need to “show” the reader much of the imagery going on in your character’s regular morning. These are all things that can be filled in with the imagination and this short sentence tells them a lot about your character’s daily habits and disciplines without making it work for them to find out.

Of course, you could throw in things like “On a regular weekday morning you could hear Gerard’s coffee maker click at 5:55, hear him getting a shower, and smell the coffee throughout most of the apartment by 6:05 as he read the news.”

That is more “show” than “tell.

And to take it to the next level you can remove sense verbs to make it even more sensory:

“On a regular weekday morning Gerard’s coffee maker clicked on at 5:55, the pipes creaked as his shower started, and the aroma of coffee  filled most of the apartment by 6:05 as he made his way into the kitchen to read the news.”

Of course these examples still need editing but you can get the idea of what you are trying to do.

You could argue which is better but there are many acceptable ways of getting an idea from your head into your reader’s quickly.

You just don’t want to spend a chapter describing information that doesn’t do much to move the story forward.

I think a healthy place is to have both showing and telling in a story.

Too much of one or the other appears to be a mistake and we don’t see successful authors doing that.

3. Who do you want to be?

Finding your writing voice is important.

Decide what type of writer you want to be and how you want to communicate your idea to your reader.

Remember in some paragraphs you’ll be telling them information and in some, you’ll be showing them.

The way in which you do this is part of your writing voice.

4. I saw that in my head.

Showing is making use of your sensory perceptions and your reader’s.

– Sight

– Sound

– Smell

– Touch

– Taste

It’s how we experience our reality and how we share our perceived shared reality.

If I want to tell you how what I ate tasted I could say it tasted sweet and a little salty.

Without you tasting it yourself you could know from your own experiences with sweet and salty things how that might taste.

Do an exercise,

Think about your breakfast and go to your writing spot and try to describe your breakfast in writing only describing it by your senses without writing down what it was.

Now read it a day later or have a friend or family member read it today and see if they understand what you’re trying to describe.

This will help you think in terms of using your five senses to your advantage in writing.

This will help you “show” your reader something you want them to experience.

5. Take your time.

After you have your first draft done, take your time with the editing process.

It’s okay to edit the whole thing 5 times.

An editor or publisher will help immensely by telling you “it’s done,” because sometimes it can be hard for us to see that.

“Show, Don’t Tell” Is Such Cliché Writing Advice. 8 Tips How to Use This Cliché

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6. Choose heavy words.

It’s hard to resist a good dad joke, but we don’t mean physical weight here.

We mostly mean avoiding the use of adverbs, bit always but in most cases, we can find a better way to give our readers something to imagine.

For example,

“Jim poured his coffee scaredly.” Is not the best way to say that our character is troubled and pouring his coffee.

Instead we could say,

“Jim’s hand was trembling as he reached for his coffee pot.”

Again in your editing process look for these heavier word and imagery choices to replace adverbs.

I’m not one to throw out adverbs completely, but probably 99% of the time there’s a better way to replace the adverb.

7. Make use of common idioms.

What’s an idiom?

Idioms are just common phrases that you might not understand unless you already knew what it meant:

– She kicked the bucket: she passed away: she died

– I jumped out of my skin: he jumped in fear

For instance,

“The spider landed right next to his hand and he jumped back in fear”

Or you could give him Dialogue to tell the reader what happened.

“That spider landed right next to my hand and I tell you what, I nearly jumped out of my skin.”

In this way, we are giving the reader description of the scenario and we are giving our character a voice and tone so the reader can get to know them.

8. Tug heartstrings.

We really want our reader to connect emotionally with our characters.

To do this well, we need to bring them into our character’s heart by sharing what our character is feeling with them.

Make our character vulnerable.

One of the characters above was feeling fear as he poured coffee:

“Jim’s hand trembled as he reached out for his coffee pot.

Lisa, who was also in the coffee room noticed, but hesitated to say anything. She didn’t want to embarrass herself or him, but she went with her gut. “Jim are you okay?”

Jim swallowed deeply, choking back tears, “I’m-m fine.” He pushed out and turned away quickly.”

This scenario shows the emotions of two characters interacting. It’s not just telling the reader that Jim is feeling anxious and Lisa is feeling embarrassing and perplexed about what to do, but it is showing the reader the emotions that both are feeling in a conflicted situation.

Making our characters’ emotions transparent (visible) allows or reader to connect with them on an emotional level.

If we can get them to connect with them emotionally we can keep our reader interested in what might happen to them next.

For example, in Jim and Lisa’s case, we would want our reader to be wondering what Jim is so upset about and what will happen to him next, and we want them to wonder if Lisa is going to do anything else about it.

If you can show your reader their emotions and make an emotional connection, you will have done a very powerful thing for your reader and the rest of your story.

I hope this helps!

Happy writing!

Another Post you Might like:

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7 Tips How to Write a Letter to a Favorite Author and get a Response

There are many stories about fans writing authors and receiving letters back. There are probably just as many where the author didn’t write a letter back.

But there are certain things you can do in order to better your chances of receiving a letter hand signed by your favorite author, and you’re not getting any younger so you might as well try now.

1. Hand Written

In my opinion, this is one of the most powerful tools in your arsenal. We live on social media now. It’s all too easy to tweet your favorite author or find them on Facebook, but that isn’t nearly as special as receiving a handwritten note.

Authors are humans and as humans we feel emotional towards gestures.

If a stranger writes me on Facebook and says kind words I’m pretty ecstatic. It feels good. But depending on the day, I may or may not respond. I think you would feel the same.

If a stranger wrote something nice about you, it’s fairly common to feel great about that and maybe or maybe not write back.

But if someone sent you a letter in the mail that was handwritten, how would you feel?

Personally, I love handwritten notes. Even in college when I received them I kept pretty much every single one. There’s something about handwritten notes that is fun and special.

So the point is if you want to give your favorite author a boost in their day and leave an impression go with a handwritten letter if you can.

2. Be Sincere

When I receive an email from the CEO of a company and it says thanks to me for something and that they are working hard for me and it says from the desk of the so-and-so signed CEO, they would have saved time not writing it at all. It might as well have said “Blah, blah, thanks for buying from us.” 

That probably would have gotten more kudos from me because it was more sincere than the junk they come up with and send out in mass.

Of course, as a fan you’re not going to be mass emailing your list of authors, but you can still botch up a letter by not being sincere.

And it’s not that you’re trying to be insincere; it’s more to do with communicating your feelings in a way that helps the other person (in this case the author) understand where you’re coming from better.

It might come across as insincere if you say “Your my favorite author and your book saved my life. Thank you so much, love Jeremy”

But why?

Well for one, if my book saved someone’s life, I’d want to know the story, not just that it happened. And you can’t just tell someone they are your favorite whatever, you have to give it more explanation to make it believable, otherwise it might come off insincere.

3. Give Specific Details

If you want your favorite author to reply to your letter, give them details that they can appreciate and relish for years to come.

C. S. Lewis is one of my favorite authors. If I wrote him a letter today it would have a statement like this in it,

“I have read and listened to many of your books. Currently my favorite is The Horse and His Boy. I can’t put my finger on why, but I imagine it has to do with Shasta and his intimate interactions with Aslan.

One of my favorite moments, and I’ll paraphrase, it’s when Shasta is upset about his friend’s story compared to his own and Aslan tells him it’s not his task to know about our handle other people’s stories he only gets to know about his own. 

It’s moments like this that I search for and wait for where Aslan says something so profound that it feels like it changes me as a person and changes the way I see life…”

Note of course I would polish it up and go bam to the books and make sure I share the deals correctly, but You would want to tell them something that has become important to you about their writing.

4. Share a Story that Includes a Change in You

As I mentioned in my little note to Lewis his writing has helped me change and grow as a person.

You’ll want to try to find something like this to include in your letter.

It’s extremely meaningful to an author to know that their work impacted your life for the better, and if you’re truly grateful about it you should include it in the letter.

5. Include a quick question

When I say quick, what I mean is something that won’t take the author an hour to answer.

It should be a question that they can easily answer in 5 minutes or less.

It should also be thoughtful though. Nothing like, “What’s the weather like in England?”

More like, “when you wrote The Horse and His Boy, did you know how it was going to end when you started it?”

This would be easy to answer. It’s interesting and thought provoking, and honestly I’m super curious to know.

By including a thoughtful question it gives the author more reason to write back instead of just to say thank you. 

And who knows maybe they’ll ask you something and you’ll gain a pen pal or a friend.

Authors need friends too.

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6. Authors Writing Back

There are several stories out there about authors writing back.

It does happen and here are some of those moments to inspire you writing your favorite authors.

One gentleman has been writing letters to authors he appreciates for years and has received many replies.

He wrote Clive Cussler, Jeffrey Deaver, Cynthia Voigt, T. Jefferson Parker, and Bruce Coville. All of these responded to him.

He even wrote one author he wouldn’t name that eventually ended meeting up with him and they have become casual friends.

Make a habit out of something and who knows where it will go?

Someone wrote about doing a book report on Isaac Asimov in highschool. They wrote him to ask him a question and he sent them a typed answer with his signature.

Dean Koontz wrote back a fan in the 90’s.

This is not an exhaustive list of the stories that are out there about authors writing back to fans, but just some to hopefully inspire you to give it a shot.

If you’ve been reading a certain author for a while and been thinking about writing them, just go for it.

7. Finding Authors Online

Here we suggest a handwritten letter, but there is still merit in finding an author online.

Authors have been known to respond to tweets, emails, and even Facebook.

Jane Kirkpatrick emailed back and forth with a fan over a heartfelt thank you email and afterward sent them something signed in the mail.

Some authors even want a lot of fan feedback and manage Facebook fan groups so fans can easily find them and share their thoughts.

It’s worth googling and looking on Facebook and Twitter to see if your favorite made a place for you to reach them.

Final Thoughts…

When you take the time to write your favorite authors, you’re doing them a service to appreciate them and their work. 

Don’t be bothered if they don’t have time to write back.

But if you want to up your chances make your letter unique from others by being heartfelt and emotion provoking.

Be detailed and give them a moment that changed your life because of their work.

Be vulnerable and ask them a good question at the end that gives them more reason to write you back than just a simple thank you.

They may not write back but at least you did your best to make someone else feel good about themselves and their work in life.

Hope this helps!

Happy writing!

Another Post you Might like:

Mythical Creatures | 7 Tips on How to Write Mythical Creatures

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Election Day and How to Write a Controversial Election Day Story | 4 Quick Tips

Politics, elections, and Election Day make for some great controversy.

You have a divided nation. Tensions are high. Both sides are constantly barraging social media for why their candidate would make a better leader.

If you want to read and write controversy, Election Day serves it up on a Golden platter.

(No wonder major networks throw fuel on the fire and feed off it.)

So how do we capture these moments and use the truth to make better stories? Let’s dive in.

1. Ride the Natural Occurring Tension 

Usually in a story, as the writer, you have to find and create the tension. On Election Day the tension is already too thick you could cut through it with a butter knife.

Use this to your advantage. Don’t reinvent the wheel. Use the natural tension that is already there.

Use the fact that both sides are at each other’s throats.

Use these facts:

• the election may wane on for days
• One side might take legal action to fight the vote if they lose
• There could be a tie, in which case the house chooses the President and the senate chooses the Vice President.
• One side could win by a landslide and the other may start riots.
• Stores are boarding up their windows in case of rioting.

On Election Day tensions are high. Use this to your advantage in your story.

2. Controversy is Screaming in Social Media

If you’ve been on Parler, Facebook, Twitter, or Instagram even for 10 seconds you may just get bombarded by people’s posts and comments swirling around the election and the candidates.

You can see the controversy before your eyes:

• “They lie”
• “They cheat”
• “They’re laundering money”
• “They’re abusing power”
• “They got caught using illegal drugs”
• “They got into a scandal”
• “They’re hiding evidence”
• “They’re evil”
• “They’re bad”
• “They didn’t do what they promised”
• Etc

On Election Day there is absolutely no shortage of controversy.

Take the time to consider what people are actually saying on Election Day because you can’t make this stuff up.

The controversy is natural. Use it to make your story more believable. And then add to it. Maybe some big scandal pops up on Election Day?

Maybe there is an assination attempt on either candidate?

Maybe they get kidnapped?

Maybe they are held hostage by a neighboring country?

Get creative and be surprising.

3. Election Day is Stressful

You could write about the emotional woes of the candidates, their staff, or certain civilians’ emotional affairs.

Many people are stressed out, but for many different reasons.

• some are stressed about healthcare
• About schooling
• Border control
• Illnesses 
• Taxes
• Civil rights
• Etc

There are many opportunities to speak to these issues for your reader. I’m not saying get all political. I am saying that by understanding others’ worries and frustrations your writing will be more compelling.

People worry a lot about their country and their rights and everyone thinks they are right. So when someone else thinks you’re wrong and votes against what you think is right, stress is inevitable.

Write about it.

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4. Election Day Writing Challenges

Write a short story. 

Write a news report that you made up any Election Day or the day after.

Write a satire that is fictional and makes fun of situations that are true on Election Day.

Pretend you’re a fly on the wall and write about what one candidate does all day.

Pretend you’re their pet dog or cat and write from their perspective.

Write from the perspective of a close family member like a son or daughter.

There are so many different opportunities to write from when it comes to Election Day. All you really have to do is pick a scenario and start typing.

Hope this helps!

Happy writing! ✍️

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5 Tips How to Make Your Story Feel Personal for Your Readers

You’re writing a story and you really want it to resonate well with your audience, but how do you do that?

How do you know for sure they are going to be reading it and start thinking, “Hey, this girl/guy gets me!”

How are you going to surprise them with how well you understand their situation, even though you’ve never been in their situation?

1. Select a Story Idea You’re Personally Interested in Hearing 

Don’t always go for what you think the audience wants to hear about. Start with something you’re curious about because then you won’t get burnt out on the subject and never finish it.

If you’re interested in Life in Antarctica, research that and write about it.

If you find mythology fascinating, write about that.

If you find horror lore fun, create a story around that. 

The important thing is to know your subject well and continuously research so that you can immerse your characters into this world you’re creating.

2. Write Characters that Represent Real Groups of People in Your Target Audience

People like themselves (whether they admit it or not) and thus like to see themselves represented in stories.

But on the flip side, people also like to see and learn about people from stories that they’ve never heard of or seen before.

If you’re writing a Character that has dyslexia, both the reader that has dyslexia and the reader that’s never heard of it before will find this interesting.

The reader with dyslexia will resonate with your character, whereas the reader that has never heard of dyslexia will find the character fascinating to watch and learn about their struggle.

3. Understand Your Audience’s Struggles Thoroughly 

Something that makes a reader go, “wow, this writer gets me!” Is your ability to understand their struggle and thus write their personal struggle well.

How does one do this? Understand others’ struggles well? Ask them and read about them. (It is also possible to struggle with something yourself) I didn’t understand that some of my interpersonal struggles were actually symptoms of ADD until I was an adult.

If you have a sibling that struggles with something this gives you an inside look into what that situation is like both from your sibling’s point of view and your own being close to it.

If you don’t have either of those situations you can still read about it and read people’s personal struggles and learn to understand them and do your best to represent them well.

A word of caution: when writing about another’s struggle do your best to understand it well and not undermine or make little of their very real struggle in life.

Be sensitive with the subject and write it in a way that you would feel good if someone was writing about your personal struggle.

Do your very best to walk a couple of miles in their shoes before trying to even write about their struggle.

The last thing you want to do is misrepresent it by not doing enough research or belittle it.

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4. Put Your Characters into the World and Give Them Real to Life Struggles

This is where all your hard work of doing the research comes into play.

Now you get to create characters that have the personal struggles of others and therefore represent your audience.

Instead of just having a character that solves a crime you have a character that is mute but solves crimes. Or a character that has autism, but is able to write symphonies in a day.

You could make a character that has ADHD, but is secretly a vigilante that fights crime.

It could be anything. You just have to do the work of understanding people’s real struggles and giving them a caring and fair representation.

In this way, you will give readers a story that is personal to them and interesting for others.

5. Allow for Some Form of Transformation

In order for the story to be a big deal you’ll want to add in change and transformation.

This is why readers love YA or growing up stories. We like to see our protagonist change and grow and learn.

The fact that we get to watch them go from point A to point B of fun and fascinating.

Even if the change isn’t necessarily good we like to see what happens to our character next because of the bad decisions they are making.

We want to see them change their minds about reality in the same way that we do every day. Change is a part of our reality so we want to see it. When a character becomes too static, we eventually lose interest seeing that we’ve experienced all the change we are going to see.

Take your character from belief A to belief B and that’ll be more personal for your reader than a static character that never struggles with questions about anything.

Even if they start with belief A and run into trouble questions for a while but end up back at belief A being more solidified in it we have experienced a change with them. We have watched them grow in their view of the world.

Final thoughts: 

Write about things you are first interested in. Mythology, geography, crime, legends, etc whatever piques your interest. Then place your characters into that realm.

Understand real people’s life struggles and write their struggles into your characters.

Allow your reader to see a transformation in your characters. The transformation can be physical, but it really needs to be personal, emotional, mental, and vulnerable.

Hope this helps!

Happy writing!

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Is Writing your craft? You might love this. Check out the 4,900+ reviews it has on Amazon to see if this might be what you’re looking for.

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We hope you enjoyed: 5 Tips How to Make Your Story Feel Personal for Your Readers!

                                                                        

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7 Tips How to Write an Effective Prologue

An effective prologue is the first chance a novel gets to hook a curious reader. Hook your reader with these tips.

This could easily be applied to the back cover of your novel as well.

1. Raise More Questions than Answers

An effective prologue leaves the reader wanting instead of satisfied.

Readers want to dive into a good read knowing internally that their curiosity and questions will be solved along the way.

So in your prologue you want to give some information but leave out the majority of information for the book.

It’s like making a multiple course dinner. The prologue is just the appetizer.

It’s tasty, but not at all filling. – tweet

2. Don’t Be Too Long-Winded

It’s unnecessary to explain much in the prologue.

It’s the sort of spot where we can tell a small part of the story or introduce the main problem of the world we are building, but not explain much more than that.

A good prologue might have a scene where the villain is seen breaking into someone’s home and murders a victim.

This would leave the reader with so many unanswered questions.

It might tell of a world where dragons and giants rule the earth but battle over which species is allowed to live above ground and humans are just caught in the middle.

3. Watch a Show with a Beginning Narrator 

Some of the best examples of an effective prologue are found in kids’ cartoon shows. In the beginning, you hear a narrator explain the world, maybe a short story, and the overarching problem for the plot.

This is a very effective way to write your prologue.

Think of yourself as the narrator’s voice and how you would tell the audience what the show is mainly about.

4. Sprinkle in Different Styles of Writing 

If you are able to execute it well, try adding in different styles of writing just make your writing stand out amongst other writers.

In your prologue there could be poetry. A little poetry done well can add an extra flare to it.

Throw in a quote at the beginning, middle, or end. A good quote made by you or found by a famous person can add substance. It can give more meaning and weight to a story when executed properly.

Think of things like this as salt though. The right amount of salt is delicious. Too much salt can be gross.

7 Tips How to Write an Effective Prologue

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5. Give it a Beginning, a Middle, and an End

Make sure that you don’t get carried away.

Your prologue should be extremely strategic with its start and finish.

It’s your very first and maybe only chance to hook a reader. You want it to take off smoothly, carry your reader straight through, and land well in a place of further intrigue.

6. Be Concise

Your prologue is not the place to dump much description.

Waxing and waning won’t help you much here. Try not to “information dump.”

Instead, be concise by knowing which characters you want to introduce and be more focused on presenting problems to be addressed and solved.

Again leave your reader wanting more, not less.

Sometimes less is more.

7. Create an Image in Your Reader’s Mind

This is kind of typical advice for any fiction writing, but especially in the prologue, be more concerned about creating images in your reader’s mind than using power words.

Power words can be helpful when put in the right spot, but some authors get carried away assuming power words will make the prologue itself more meaningful. This just isn’t always true.

The reader needs to be able to see the scene you’re setting. This is almost always absurdly more powerful for convincing a reader to read on than fanciful word choices.

You don’t have to be an English or literature major to be a fantastic storyteller. You just have to be able to create an image in someone’s mind and have them follow along from start to finish.

And a great way to hook your reader from the start is to pay particularly close attention to the crafting of your prologue.

Hope this helps!

Happy Writing!

Other Popular Posts you might enjoy:

5 Tricks How to Hide Your Villain Right Before Their Eyes

10 Tips How to Write Villains that Play Mind Games with Their Victims

4 Tips How to Write your Character Hitting Rock Bottom

10 Toxic Bad Habits That’ll Crush Your Fictional Character’s Relationships

How to Write From Your Villain’s Mind.

How To Write 4 Scenes That Reveal Who Your Character Is Seamlessly

Psychopath: How to Write The Perfect Psychopath

8 Tips How to Write the Perfect Sociopath

Fictional Characters: 28+ Bad Habits to Introduce to Your Fictional Characters

List of 10 Weapons for Fictional Characters

List of 10 Bad Habits Fictional Characters Need Help Breaking

7 Tips How to Write an Effective Prologue

Resources:

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Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

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7 Tips How to Write an Effective Prologue

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Is Writing your craft? You might love this. Check out the 4,900+ reviews it has on Amazon to see if this might be what you’re looking for.

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How to Write a Classic About the Future (without being dystopian, utopian, or apocalyptic)

When we think of stories about the future, many of the famous ones are dystopian.

But what about a future that’s normal? What about a future where we continue to be civilized beings with more and better technology than we have now?

1. Normalized Space Travel

Whatever you have to do to make traveling through space extremely safe and off the norm.

“Hey, I’m bored. Wanna catch the next transit to the moon?”

“Nah, my dad and I went yesterday. He likes to go every Friday. I’m just kind of over it though.”

Think of a trip to the moon like going to the same beach or hiking the same mountain trail. Some people find it magical every time while others just get bored.

If you want to go even more futuristic, choose planets much further away.

Star Wars does a great job of this and most planets have a good mixture of super tech civilization and less tech civilization.

2. Create Believable Social Issues

Think about today. There is civil unrest, law suits, countries at war, and lots of politics in between.

Just exacerbate these situations and it’s believable. Remember we aren’t going for utopia. We’re shooting for normalizing the possible future.

In your newspaper you might have the 300 year war between Mars and Venus. They still have missiles aimed at each other but none have been fired in 7 years. They are at a standoff.

The hurricanes on earth have made life unlivable on the surface of the equator but people mostly live underwater and earth there so no biggie.

The Forest fires in California spread through most of the west, but conservationists have been growing trees in the sky with manufactured rain systems for years which has kept the CO2 down. Every once in a while a photo of trees will fall due to technical difficulties but they send out crews to fix it.

The homeless on mars are demanding more welfare and are threatening to riot again. One of the political parties on Venus claims that Earth is full of no good tyrants and wants to back out of the Peace treaty they made 90 years ago.

These could all be believable issues. Be creative. The fun thing about the future is the box of creativity is much larger.

Exaggeration isn’t just expected. It’s desired.

3. Avoid the Temptation to be Overly Descriptive 

We get it. They live on an asteroid. It’s rocky and dead and cold on the surface and the starlight twinkles in the salt dust, but don’t take 30 pages to tell them about the giant space rock.

Instead tell them that they are living on an asteroid. Tell me right now, that as I type that you aren’t imagining a giant asteroid. You can see it in your mind.

Now, it’ll be fun to throw in little details as you go along. 

“When they first landed on the asteroid 1000 years ago they were surprised to learn that it was 70% salt. If earth hadn’t melted I’m sure organic companies would have been selling asteroid salt as the next cure-all, but today we just sprinkle it on our eggs.”

Describe the environment and make it a part of the entertainment along the way.

Don’t forget, we writers are in the entertainment business.

How to Write a Classic About the Future (without being dystopian, utopian, or apocalyptic)

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4. Throw in Dialogue to Break Up the Pace

People get bogged down with monotony.

It’s work reading 80 pages with no dialogue and no social interactions or relationships being broken or formed.

Be sure to bring the human or alien 🙂 element to your description of future events and happenings.

6. Don’t Forget Meaningful Conflict 

Just because we are avoiding dystopian here doesn’t mean we are avoiding conflict. Humanity may have solved a lot of issues by this point in the future, but there will still be a lot of issues.

People get in fights. Relationships are formed and broken. Things blow up. Banks are robbed. Companies are corrupt. Politicians are corrupt. Alliances are formed. Betrayal still occurs. You might even forget to do your homework.

Just give your characters neat tech or other worlds to carry out this conflict.

7. Take Current Technology to its Extreme Limits

Cell phones are just earpieces now. Everyone wears glasses or contacts that function as TV’s and real world assistance.

You can tell Alexa to play your favorite movie, pull up a recipe, or gps for a road trip all on your eye wear.

Cars are obsolete. Everyone flies on public transport. CO2 emissions are pretty much gone but now everyone is getting concerned about helium emissions. The average man’s pitch is up an octave higher than the average man 100 years ago.

Everything is a subscription now. You don’t go out to eat. You pay a monthly subscription to your favorite places or network of places and just go when you want.

Houses aren’t a real estate investment anymore. They are being printed so fast that thrift stores sell them.

Exaggerate common things you can think of. Some will make sense and some will just sound like it’s meant to be in satire.

Depending on the feel you want your story to have, you’ll have to be aware of that.

Hope this helps!

Happy writing!

We hope you enjoyed: How to Write a Classic About the Future (without being dystopian, utopian, or apocalyptic)!

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How to Write a Classic About the Future (without being dystopian, utopian, or apocalyptic)

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6 Tips How to Write Dementia and Alzheimer’s

This is a serious topic and I intend to not take it lightly. We all have had loved ones suffer from horrible diseases and dementia and Alzheimer’s are tragic and heartbreaking for the sufferers and those that are close to them.

When writing stories with characters that have these diseases (or any ailment) aim to be careful and kind with how you handle them.

1. Regrets about things forgotten

I once read a story of a father who suffered from dementia. His regret on his deathbed was that he had not been a good father and that he wished he had reconnected with his daughter and changed that.

His nurse revealed that he had reconnected with his daughter over the years and she visited him often. He had forgotten it. The nurse explained that she couldn’t get him to understand that he had reconnected with her and made their relationship better even in his last days.

2. Flashbacks 

My great grandfather had Alzheimer’s. They say he would have flashbacks of being in war.

He would suddenly jump over the couch and duck down and tell my father, “we gotta get outta here!” believing he was back on the battlefield.

Another story of a man who suffered from Alzheimer’s was a survivor of the Jewish holocaust.

Most nights he would wake up in terror believing soldiers were pursuing him. It had become a weekly routine for the caretaker to get up in the middle of the night and stop the man from unscrewing his window and escaping out into the night.

It seems that with sufferers of Alzheimer’s the flashbacks are closely related to traumatic events.

3. Sharing the same story over and over

My other Great Grandfather suffered from Alzheimer’s as well.

He asked my brother and me if we knew that he had a mule growing up. He would then tell us about how he and his brother would ride the mule all over the farm.

Then a few minutes later he would ask the same question and share the same story. This happened repeatedly as he forgot he had shared the story moments ago.

6 Tips How to Write Dementia and Alzheimer’s

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4. Forgetting loved ones

There are many sad stories about people asking “Who are you?” to their children, grandchildren, and spouses.

Some family members have even avoided going and seeing them dreading to hear them ask that very same question, “Who are you?” Or “Do I know you?”

Something to take into account when writing these situations is the loved ones and how they react. Not just the sufferers. People have literally said of the ones suffering from these diseases, “It’s like they are already gone. It’s like we’ve already lost them.”

I can even quote someone here saying “Treasure the memories and be thankful for the time you still have with them, but that first time they ask who you are will hurt, because you realize they just aren’t that same person.”

Another saddening but true quote to get further insight,

“I am scared to face her because I don’t want to hear “Who are you?” I feel like I lost something precious in my life. She took care of me when I was a teenager and for me, she was like a lighthouse on a stormy night.”

5. Redirection

Those suffering from dementia can be easily set off in anger but some can be easily directed to happier thoughts.

One daughter learned to bring her mother a milkshake and this would make her happy and in a jolly mood.

They learned not to ask the question “how are you?” As it was an instant trigger of anger. Other people would try to get her to deal with things and remember things like her husband’s passing, but her daughter learned to redirect her mother’s thoughts to keep her happy in her last days.

The daughter said, “I personally would have redirected till the cows came home because my mom is not going to remember.”

6. Repeated daily conversations 

There’s a story of a mother and daughter who suffered together in the same home.

It is actually said that they often treated each other like strangers and daily reintroduce themselves and get to know one another all over again.

One granddaughter shared a story of her Grandmother.

It seems that she was her main caretaker. Her Grandmother would ask about every 15 minutes, “Who are you?” Or some other form of the question:

“Do we know each other?”

“Are you visiting someone?”

“We are not related, are we?”

“Hello, have we met each other before?”

The Granddaughter handled this well and looked for different ways to better answer her as her Grandmother often forgot she even had a daughter.

Stories like these are not uncommon for those that suffer from Alzheimer’s and Dementia and those that care for them and love them.

I hope these thoughts and stories will help you think through a meaningful story with characters that deal with these real to life circumstances.

I hope this helps!

(A special thank you to those who were willing to share their stories publicly online for people to read and learn from and be encouraged by. By sharing our stories we help make the world a better place.)

We welcome your stories here 🙂

We hope you were able to get a lot out of: 6 Tips How to Write Dementia and Alzheimer’s!

Other Popular Posts you might enjoy:

5 Tricks How to Hide Your Villain Right Before Their Eyes

10 Tips How to Write Villains that Play Mind Games with Their Victims

4 Tips How to Write your Character Hitting Rock Bottom

10 Toxic Bad Habits That’ll Crush Your Fictional Character’s Relationships

How to Write From Your Villain’s Mind.

How To Write 4 Scenes That Reveal Who Your Character Is Seamlessly

Psychopath: How to Write The Perfect Psychopath

8 Tips How to Write the Perfect Sociopath

Fictional Characters: 28+ Bad Habits to Introduce to Your Fictional Characters

List of 10 Weapons for Fictional Characters

List of 10 Bad Habits Fictional Characters Need Help Breaking

6 Tips How to Write Dementia and Alzheimer’s

Resources:

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How to Start a Blog in 11 Simple Easy Steps in 2020

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Optional: See if this FREE Amazon book will pique your interest. It is a part of Project Gutenberg. If you love Little Women, you should give this book a try as well.

                                                                        

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6 Tips How to Write Dementia and Alzheimer’s

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Optional: See if this FREE Amazon book will pique your interest. It is a part of Project Gutenberg. If you love Little Women, you should give this book a try as well.

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6 Tips How to Write Dementia and Alzheimer’s

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We hope you were able to get a lot out of: 6 Tips How to Write Dementia and Alzheimer’s!

How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

1. Don’t Dumb Down Hard Topics

In Patrick Ness’ “A Monster Calls” we have a great example to follow. Patrick does not shy away from talking about hard things and aspiring writers shouldn’t either.

Being vulnerable and upfront, especially in writing, will help the reader more than tiptoeing around hard issues that they really want to talk about.

Don’t water down the nitty gritty and the hard things to talk about. As readers that’s why we pick up “sad books.” We want to see the raw emotion. We want to feel something. We want to cry.

Make it raw and emotional and readers will love you for it.

2. Write Characters that have Flaws and Can’t Avoid Them

“Flawed” doesn’t have to be a bad word. And “perfect” doesn’t have to be the best word. 

In the broken world we live in, the reality is, I have my flaws and you have yours. 

Being a perfectionist for a good period of my life, I know what it is to obsess with trying to be perfect at everything and then finding a gaping hole in your soul at the end when it doesn’t all work out.

It’s more important to be okay with not being perfect and okay with working hard to get better at the important things.

So it should be with our characters when we’re writing stories to let others know it’s okay to have flaws! We all have them, and we’re all working hard to do our best in spite of them.

Readers want to see raw emotions. Readers want to see our characters choke back tears. Readers want to be the fly on the wall to see our character run up to their room and slam their fists at their door until it goes through it.

Readers want to see heartbreak, because these are real things we go through in life and we don’t want to feel alone.

That’s the main point when writing stories like these.

We don’t want to feel alone and our reader doesn’t want to feel alone.

Keep that in mind when creating your characters and the conflicts they are about to go through.

3. Write From Your Own Tragic Moments

A moment ago I wrote, “Readers want to be the fly on the wall to see our character run up to their room screaming and crying and slamming their fists at their door until it goes through it.”

That’s me. That’s a real moment from my childhood. Nobody is perfect and nobody’s life is perfect. And if you are able, write tragic moments into your stories that you truly felt, because those are the moments that will truly resonate with your readers and give them something real to let them know they’re not alone.

How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

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How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

                                                                        

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4. Write About Outcasts that Find Happiness Even in the Hardest Circumstances

In, “A Little Princess,” we follow our protagonist through a miserable existence but somehow they find happiness anyway.

When we are struggling, we want to see resolution in the end even if the circumstances don’t change for the better, because oftentimes our circumstances that make us feel lonely or sad haven’t changed and won’t change.

5. Write Characters that are Isolated and Alone

It’s like wanting to listen to sad music when you’re sad. Readers that feel lonely want to read about lonely characters.

If we cry while reading your story it’s all the better.

6. Make it Easy to Read

Nina LaCour’s “We Are Okay,” is a great study for this type of writing.

It captures this feeling of sadness beautifully and I’d be shocked if you don’t tear up several times reading it. 

It’s so easy to read, you could probably read it in a day if you really wanted to.

7. Don’t Forget to Throw in a Few Good Twists

“Anxious People” by Fredrick Backman is good for this.

You can study how he makes his characters flawed but still lovable (it’s extremely important to make them still lovable with their flaws: A Man Called Ove is another great example) and is able to throw in a few good twists before the end to help the reader stay engaged and curious.

I hope this helps! 

Happy writing!

We hope you enjoyed: How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

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How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

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How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

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How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

                                                                       

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How to Write a Story That Helps Readers Know “It’s Okay to Not Be Okay”

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