Conceptualizing your plot to make it great can be tough if you do not know where to start and don’t have any emergent ideas.
Hopefully this little go through will help you spark some ideas for your plot that will take you to the next level in your story or book. Your first actionable steps for your plot.
1. Start your plot with a big problem
Most readers don’t care about your characters and your world-building without some major problem that needs solving.
A reader wants to go through a journey where some major plot problem is resolved.
Depending on how you choose to resolve the major issues, the reader feels a certain way about the story and your plot.
So focus on your big climactic problem first because that is the most important and pivotal part of any great story.
Keep in mind your major problem doesn’t have to be human. It doesn’t have to be a good guy vs bad guy. It could be human vs nature.
A great hurricane is coming unless you can stop it or if not help others and yourself survive.
What is the BIG PROBLEM you are going to give your characters and how are they going to solve it?
Where does it lead them? And why?
Think about the potential consequences of solving this problem.
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Your major goal goes hand in hand with your big major plot problem.
If your hero’s goal is to stop the bad guy from destroying the kingdom then your problem is the bad guy and his major plans to destroy the kingdom but the goal of the hero is to stop the bad guy.
You can see how these are closely tied together and extremely similar.
And indeed they should be.
If your major problem and your protagonist goal don’t go hand in hand there is a major plot problem.
Unless you’re writing a comedy of course, then your character’s main goal could be ridiculously far from the major problem and it ends up being surprising, funny, and entertaining for your reader.
Going with the example above if a great hurricane is coming unless you can stop it or if not help others and yourself survive.
The great problem is the hurricane, but your character’s goal is to survive and help others survive.
Maybe their major goal is to save loved ones in harm’s way.
Think about the big goal and big major problem makes us naturally think about characters.
What major goals can you give the main characters based on the problems they face?
Does your character have major goals before the big problem arises that they must forfeit in order to stop the major problem?
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3. Choose 1 to 3 or 3 to 5 major characters for your plot
This doesn’t have to be religious, but starting with 1 character to follow and explain is an easy place to start. 3-5 characters is a good place to start also
It gives you something to work with and draw from and it can always change as you go. Like we said it isn’t an “it must be this way every time” rule as much as it is helpful to start somewhere and get going than to be otherwise paralyzed by an infinite amount of choices.
Just start with one character and usually, the others will naturally follow. And don’t be afraid to change them in the editing process to make them more coherent with the entirety of their existence in your story.
Use your major problem to help you naturally create the personality and persona of your main characters by the choices they make based on what they then end up facing.
Even as you think about your major problem you can start to visualize your main character starting to live through it. It’s only natural to imagine things this way.
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Once you’ve got these major ideas in mind it’s a great idea to go ahead and start to put the pen to the page or the fingers to the keyboard.
Try to not go a day without writing at least 100 new words. That’s a pretty attainable goal. Don’t get caught up in continual revising when your starting. Focus on getting words on the page that you can work with.
Just let it flow and worry about changing it later.
Now get out there and write something!
Hope this helps!
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Anyone can grab a knife or a gun and swing it around violently, but does that really make them dangerous?
A dangerous villain is able to capture our emotions and feelings and leave us feeling conflicted about whether or not we should be on their side instead of the heroes.
1. Write a dangerous villain as a mortal anthropoid
Some of the best villains aren’t born villains. They have interesting background stories.
They are born with a mom and a dad. They grew up down the street. They were in boy scouts. They went to church. They played little league.
They were a good kid until one day a traumatic event happened that changed their world view forever.
Or maybe they weren’t born of parents at all, Maybe they came through a secret door in our basement.
Maybe they were left at the doorstep with no explanation.
They don’t always have to be human but make them human-like.
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2. Write a dangerous villain as a professional at blandishments
Not all villains have fangs, a pitchfork, and ooze green goop.
Some of the best villains have charm and pizzazz.
They exude an aura that makes you want to follow them. You secretly root for them. You wish they weren’t evil so they could be your mentor or friend.
They are able to make a good point and cause others to see their side of things, that there is not just the hero’s way, but that may be perhaps there is a better way of doing things. Or that maybe the hero’s way is actually the wrong way.
This creates great drama and conflict and confusion for the reader and the characters to deal with.
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3. Sometimes to write a dangerous villain, a villain must be born from a “good person’s” evil deed
Just like villains aren’t born villains. Hero’s aren’t born hero’s.
Hero’s have a past, and some of there past ain’t pretty.
Some heroes were bullies in high school. Some heroes were vengeful. Some heroes did time in jail. Some heroes made their millions selling weapons to genocidal maniacs.
A person is not always summed up by the bad or good things they’ve done. Sometimes it is based on who they want to be today and who they are trying to be despite bad choices in the past.
But don’t think for a second that bad choices whether yesterday, today, or tomorrow don’t have consequences.
It’s almost a rule: most good choices have good outcomes, most bad choices have bad outcomes. It’s not math, it just works that way the majority of the time.
So even if a hero is making good choices today their bad choices of yesterday may have left some people hurt or broken on their journey to becoming “the hero.”
Some of the best villains are born of the hero’s bad choices.
I hope these ideas help spark your creativity!
Happy Writing!
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Thinking about fantasy weapons for fictional characters we want weapons that are going to capture our own curiosity and the curiosity of our reader. Let’s try to put ourselves into our reader’s mind and imagine what they imagine. I hope this list and others like it on this site help inspire you to your characters’ ideal fantasy weapons.
We’re working on a weapons series for fictional characters right now so feel free to look around to see more ideas for weapons for your Fictional Characters. We hope you find something inspiring here to help spark your creativity.
List of 10 Fantasy Weapons for Fictional Characters
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Use weapons in stories to give your reader an image of your character wielding it.
Give them a weapon that will add to the persona you are looking to give them.
The weapon you choose for your character can be a major piece of the puzzle of how your reader perceives them.
Choose the right weapon for your character depending on if they are a hero or villain.
Think about how to describe the weapons giving them special details to make it slightly different from normal weapons we’d see every day.
Sometimes you can make a character carry multiple weapons and have hidden weapons on them.
Figure out what weapons work well for your fictional characters.
Do they carry a large weapon?
Do they prefer many small weapons?
Do they have trick weapons hidden all over them?
Do they ride around in a car with a bunch of weapons in the back seat in a bag?
Do they have an organized trunk full of weapons?
Do they use their weapons to protect the weak?
Do they use their weapons to overpower the weak?
Are they partial to one specific weapon?
Do they use weapons and throw them away after they are banged up or used?
In other words, feel free to think through what weapons you want them to have and how weapons look as a part of their outfit and character profile.
We hope you enjoyed the quick inspiration list: List of 10 Fantasy Weapons for Fictional Characters. Hopefully, it helped you think of some weapons for your fictional characters.
I hope this helps!
Happy writing 🙂
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When thinking about fictional weapons for our fictional characters we want weapons that are going to capture our own imagination and the imagination of our reader. We want to put ourselves into our reader’s shoes and see what they see. I hope this list and others like it on this site help inspire you to your characters’ ideal fictional weapons.
We’re working on a weapons series for fictional characters right now so feel free to look around to see more ideas for weapons for your Fictional Characters.
List of 10 Fictional Weapons for Fictional Characters
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Fictional weapons can be used by an author in a lot of ways. A weapon can define a fictional character. It can give them an image. It can give them a certain look we want them to have.
Handing them specific weapons can make them look more angry or outraged. Some make them look more noble and valiant.
The weapon you choose for your character can be a major piece of the puzzle of how your reader perceives them.
Choose the right weapon for your character depending on if they are a hero or villain.
Think about how to describe the weapons giving it special details to make it slightly different from normal weapons we’d see every day.
Sometimes you can make a character carry multiple weapons and have hidden weapons on them.
Figure out what weapons work well for your fictional characters.
Does your character carry one big weapon?
Do they prefer many small weapons?
Do they hide many weapons on their person?
Do they ride around in a car with a bunch of weapons in the back seat in a bag?
Do they have an organized trunk full of weapons?
Do they use their weapons to protect the weak?
Do they use their weapons to overpower the weak?
Are they partial to one specific weapon?
Do they use weapons and throw them away after they are banged up or used?
In other words, feel free to think through what weapons you want them to have and how weapons look as a part of their outfit and character profile.
And don’t be afraid to play around with it. Have some fun and test different weapons with a certain character in your mind. Do you like the way they look and carry it? Or is it not right and need to find a better one for their emotions and persona?
I hope this helps!
Happy writing 🙂
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When creating close relationships with fictional characters, their dialogue matters immensely. Their dialogue shows their true heart and reveals a lot about their character.
How to create a close correspondence with fictional characters
Not all stories must have multiple characters.
But for the stories that do you must consider how to make your characters’ correspondence make sense.
Character correspondence helps define their relationships and how they interact and deal with each other. Their correspondence will shape them in the imagination of your reader.
It will play a key role in who the character is as a person and their worldview.
Not all of your character’s correspondence will be evident at the beginning of their story. Most interactions and conversations will happen after the reader meets the character and your reader will get to go on that journey with them. Some will happen in their past and therefore will be in flashbacks.
Depending on what you choose as the writer will immediately affect how your reader perceives your character and their past and present experiences.
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If you enjoy Creating Close Correspondence with Fictional Characters and writing fiction, you might love owning a domain of your own where you can write about it? Ever want to own your own domain name (Yourname.com)?
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If you enjoy Creating Close Correspondence with Fictional Characters and writing fiction, you might love owning a domain of your own where you can write about it? Ever want to own your own domain name (Yourname.com)?
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When thinking about weapons for fictional characters we want to not only think of how they’ll look swinging it around. We want to understand how the reader will feel about them using their choice weapons. I hope this list helps you think through which weapon would be ideal for the fictional character you are working on.
List of 10 Weapons for Fictional Characters
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Intro to: 5 Tips to Reveal a Character’s Personality Smoothly
This post: 5 Tips to Reveal a Character’s Personality Smoothly, will hopefully help you with smooth characterization.
Characterization is the process by which the writer (you) reveals the personality of the character. And to do it smoothly, would be to do it in a way that is simple and easy for your reader to enjoy rather than feel like they are working to understand your characters’ personalities.
Have you ever been to a carnival or fair?
Have you ever gone and bought your $8 ticket only to get inside and end up paying $100 or more to do anything else all day?
$4 for fries
$2 for the Ferris wheel
$2 for the whirly spin
Before you know it your wallet is empty. But you had so much fun spending all that money and didn’t even think it was odd that they charged you $8 dollars at the beginning of the day just so you could get inside and pay them more money.
Now that’s what I call smooth.
But this acceptance of paying money to get in to pay more happened long ago and without you even knowing it.
The idea of “the fair” being in town was set up long ago to pull dollars out of peoples’ pockets in the set up so that the fried cheese curd man didn’t have to convince you to pay more money for his cheese curds. In fact, it was so smooth that the man at the gate didn’t have to try to convince you to get in for $8 just to pay the county more upon getting inside.
So how do we as writers become this smooth to get our readers to enjoy and digest mentally our characters’ personalities without having to use more words to convince them?
I call this trick the passive onlooker.
Tips to Reveal a Character’s Personality: #1
Make Your Reader the Passive Onlooker.
You’ve been the passive onlooker before.
You’re out in public and you see a dad holding his son’s hand to cross the street. You might not think much of it, but you might think that’s a good dad that cares about his son.
You look the other direction and see another parent dragging their screaming child across the street yanking on their arm viciously and you might think they’re a mean bad parent.
Now the point here isn’t whether either parent in this fictional (or not so fictional) scenario is a good or bad parent. The point is that you were a passive onlooker in this scenario.
You didn’t have to do any work simply looking and thinking. However, you did assume some personality traits of both of the parents you saw.
Let’s create that same scenario for our reader with our characterizations and what we want our reader to assume about our characters.
We don’t want to have to say, “She was kind and charming and caring.” We want our reader to see these traits in action as a passive onlooker.
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Just like they charge outrageous prices at fairs and carnivals and we gladly oblige, they don’t have to convince us at the gate that this is worthwhile because of the setup.
We are also going to create a smooth setup so our reader passively ingests who our character is hook, line, and sinker without much effort on their part.
To start a good setup you yourself need to know, “Who is my character?”
“What do I want my reader to assume about my character?”
Tips to Reveal a Character’s Personality: #3
Make a list of traits you want your character to have:
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This example list is a small but a good start to get an idea in your mind of how you want your character to be received by your reader.
Next, for a good setup to work, you need to convince yourself.
Tips to Reveal a Character’s Personality: #4
Convince yourself.
Convincing yourself is not just important for your character’s future; it’s also great practice for you and will help you IMMENSELY when you’re trying to find the right actions and scenes to display to your reader the complex character they are following.
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So how do we convince ourselves?
Imagine you are sitting, having coffee with a friend and your friend says “Hey, I heard you met someone new last night.” (Your potential character). “What is her/his name?”
You respond, “Johnny.”
Your friend, “Oo Johnny, tell me about him. What does he look like?”
“Well, he’s tall. Handsome, but not too handsome. He’s not like a model or anything, just a normal good-looking guy.”
That’s okay but it’s not good.
“What color are his eyes?”
“His eyes are light brown.”
“Jawline?”
“Uh, his jaw isn’t too pronounced, pretty normal I guess. Oh! But his eyebrows are thicker than most men.”
Good, good. Getting better.
“Tell me about his personality.”
“Well, he’s kind and caring. He drinks wayyyyy tooooo much though.”
“Wait, if he drinks too much then how do you know he’s kind?”
Bingo. Now we have started to create a conversation about the character. I would encourage anyone to do this in-depth exercise or similar ones to help you think through who your character really is.
One, it’s fun and two, in order to smoothly convince your reader that your character is real, you need to know this character enough to tell your friends about them.
So, now we’ve gotten to another good point.
Your friend just asked the golden question and the question we must ask ourselves. How will my reader know they are kind?
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How do you know anyone is actually who they say they are?
Simple: observe them.
If someone told me every day for a month that they love to write but never actually wrote anything whenever I inquired of them about it, one might question whether they actually don’t like writing all that much, or they enjoy doing something else more. Because in theory if someone really likes something they’ll make time for it, even it’s just one minute a day. If someone can’t spend 60 seconds a day doing something, maybe they don’t actually like it as much as they thought they did, or they just don’t find it important enough to prioritize.
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So here’s a quick scene that shows that even though Johnny drinks too much, he is kind in nature.
The scene:
Johnny left the bar late that night. He had his normal six, but after his eleventh, he couldn’t remember how many he actually had.
By the time he made it to his door he had sobered up a little from the time it took him to walk home but he thought it was 1:00 AM. It was closer to 4:00.
When he tried to quietly stumble through the door, he knocked over the plant that he had just bought last week to replace the other plant he knocked over previously.
“Crap,” popped out his mouth in a loud whisper.
He starred at it for a long moment and shook his head.
He stumbled and fumbled his way to the kitchen and took about 5 minutes to get a glass of water which he gulped down in seconds. He burped and made his way to the couch so he could enjoy passing out to some television. That would help drown out his thoughts.
He not-so-gracefully made his way back to the couch and plopped onto his favorite recliner.
Before he could find the remote he heard a noise from the steps. “Crap,” he whispered again.
“Dad?” It was Susan, his sixteen-year-old daughter.
“Hey, honeeeeey!” He was still whispering and slurred.
“Dad? Are you okay?”
“Yeah, honey. J-usts peachy.” He smiled a dumb grin that wasn’t hiding anything. “I didn’t meea-n touh wake youh. Sorry sweetieee.”
“You really shouldn’t be drinking too much, Dad.” She was cold.
“Aw, I know, honey.”
“And you need to be getting more sleep. Did you know it’s 4 am?” She kept her stern tone.
“Crap, I thought it wauhss 1:00. I’m s-so ssorry, honey.”
She let out a disappointed sigh, “Did you break something?”
“I’m s-so sorryyea.” His cracked as He began to cry a little. “I broke your new plant. I’ll get you a new one. I promissse.”
“It’s fine dad. I don’t want another one.” She kept her cold demeanor.
“I’m so sorry. s-s-sweetie.” He held back his cry but teared up more. “Do you want to go out for ice cream this-sweekends?
“I don’t think so, dad. Get some sleep. I’m going back to bed now.”
“Oh okay, honey.” His voice cracked again with shame and remorse. “Sleep tight, don’t let the bugs bite you.”
She walked back up the stairs without turning back, a little perturbed at her father.
Johhny never turned on the television. He just cried a little, ashamed of himself. He missed Lora as he passed out.”
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In this scene, we didn’t hit all of our listed traits. That’s intentional. Instead, I’d keep your list handy and create scenes trying to display at least one. But if others flow into it naturally, that’s great too.
From just observing this one scene, one could start to think that Johnny might be a habitual drinker. One might also start to think that he is kind. He could have been an angry drunk, but instead, we observe him being nice and kind in the scenario even though his daughter gives him a hard time and seems to resent his choices.
We also see that Johnny is sad, and one might start to question who Lora is who was introduced in the scene at the end. Lora might be his wife. Maybe she has left him, or passed away? (It’s good to create questions like these in your reader’s mind that you will answer later. But for this example’s purposes, we can at least start to see that Johnny might be kind, sad and a regretful drunk.
Now, of course, this is just a rough draft and it would be edited and read over several times by several or more people before hitting an audience, but the idea and practice are good, helpful and true.
5 Tips to Reveal a Character’s Personality Smoothly
So for your characters:
Try to make a quick simple list of traits
Write about them simply as if you were telling a friend
Create scenes that convince yourself and others that your character truly does possess these traits, without stating it straight out.
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5 Tips to Reveal a Character’s Personality Smoothly
Now you are on your way to being a smooth operator.
If you have done this setup well, your reader won’t be working to find out what your characters’ personalities are.
They will be enjoying your writing and storytelling abilities as they gobble it up off your pages of strategically laid out scenes that give a great mental picture of who your characters are.
Like I mentioned before characterization, well done is more like a marinated meat than a buffet. The more time it has to soak up the juices, the better.
You might not want to overload them with information about your character as if you just handed them an official brief on the character. Save that for the secret agents.
Take your time and show who your character is over much time and many scenes along the way.
This isn’t to say that your character can’t change along the way either (in fact, they should change in some way), but that change could make some of your other traits even stronger.
For example: Johnny could decide to quit drinking because he loves his daughter. This will strengthen the fact that he is kind and add that he is caring more about others (his daughter) than himself and his own desires.
Take your time to create scenes that intentionally display your character’s traits without listing them straight out. Present who your characters are through scenes and dialogue. Explain without explaining.
Put in the hard work so your readers don’t have to.
I hope this helps!
We hope you enjoyed 5 Tips to Reveal a Character’s Personality Smoothly and that it helps you to create characters and scenes that are engaging and fun for your reader.
Happy writing!
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Idiosyncratic bad habits are self-destructive. Self-destructive bad habits can and eventually will affect other characters not just your main character. For the most part bad habits like these often end up hurting your character personally rather than outwardly, but it is likely these bad habits will affect other characters’ lives in time.
10 Idiosyncratic Bad Habits for Fictional Characters
We are currently working on a bad habits series for fictional characters. Check out Idiosyncratic Bad Habits to get some creative ideas for your fictional characters. We hope this helps!
Use bad habits like these as a writing tool for your fictional characters. Write bad habits into their character traits and they will be more familiar to your reader. Your reader will resonate with your characters more easily. Use this bad habit list as writing prompts for your fictional characters in your stories. Give yourself ideas by thinking through bad habits like these.
10 Idiosyncratic Bad Habits for Fictional Characters
1. Breaking dumb rules
2. Breaking the law
3. Borrowing Items without returning them
4. Not listening to people when they talk
5. Breaking promises
6. Throwing trash on the ground
7. Being overly serious all the time
8. Being an easily distracted person with no focus
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10 Idiosyncratic Bad Habits for Fictional Characters
Bad habits can lead to certain consequences.
Will they go broke and lose their house?
Will they lose friends for not returning borrowed items?
Will they lose money by overspending on useless items?
Will they become a hoarder?
Will they go into gross debt and have to declare bankruptcy?
Write some of your fictional characters with these personal bad habits in order to show your readers that they aren’t perfect.
Why would you want to be thinking about bad habits for your fictional characters that you are writing?
Bad habits assist your reader in resonating with your fictional characters.
They make our characters more believable and more human in our reader’s eyes.
Bad habits can be an easy and natural way to incorporate conflict into your character’s life. Conflict leads to either more conflict or resolution. As the writer, you get to decide how far down they go before realizing they need to change their ways.
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Adding some bad habits to our characters including personal bad habits will make them more enjoyable to our readers. After all, no human is perfect and that should include not all but most of our fictional characters. Any perfect character might lose our reader’s interest.
Hope this helps!
10 Idiosyncratic Bad Habits for Fictional Characters
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When writing a murderer it’s good to keep a purposeful perspective on where we want our story to go and how we want our murderer to be perceived. Do we want them to be seen as a scheming, murderous, vile, and sinister character? Do we want them to be seen as a character that committed an impulsive crime of passion? Do we want them to be seen as a victim acting out against an unfair world? There are many motives for why a character would commit such a terrible atrocity and we hope this post will help you think through some of those ideas for your fictional writing.
1. When writing a murderer, make the murderer powerful
Don’t make them weaker than your main character. Make them of greater physical strength.
Make them capable to handle the protagonist so that the stakes are always high.
If we make them weak, the reader won’t be concerned for the well being of your main character when they finally face off. You want your murderer to be larger to make the risk for the potential victim greater.
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2. If writing a murderer, the murderer should have a good reason to kill
This doesn’t have to always be the case of it’s a serial killer, but a murderer with a motive is just as interesting in a story because the reader is often looking for a reason even if it is serial. Human nature often wants to know why.
Don’t just make them want to stop the main character.
Consider making it personal for the murderer.
Maybe they’ve been abused.
They didn’t choose their upbringing.
They felt trapped their entire life.
They felt alone in the world for so long they really feel as if they are alone.
They’ve always been dealt a bad hand.
People at work don’t treat them right.
At home, they get no love or respect.
Maybe a loved one or friend blackmailed them into don’t things they never wanted to.
Maybe they snapped in a fit of rage that has been bottling up for quite some time.
3. While writing a murderer, reveal their true motivation
Do they want to protect someone?
Do they want money? Power? Fame?
Do they hate anyone?
Do they feel they’ve been mistreated?
This is similar to having a good back story, but just try to make sure there is a good reason in play for your character that committed the crime.
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4. If you are writing a murderer, read, read, and read some more
If you want to write a murder mystery, you are most likely a fan of murder mysteries. That’s good. Read your favorite mysteries and authors and try to learn from them.
We can’t stress this point enough. If you want to make a compelling story and character, you need to see how those that were successful before you have done it.
BUT MAJOR POINT HERE!Don’t just passively read. Read critically. Read to see how they write dialogue.
Read to see how much description they use. Get a feel for how they write out the actions of the characters. Read with a mind to study and figure out how you’re going to write your murderous character.
Take this with a grain of salt. Think critically. The way you write is a part of your signature. Use skilled writers’ work to learn and be inspired, but you don’t have to write the exact same way they do.
Maybe you enjoy more description. Write a little more description of the scenery and characters. Maybe you like non-stop action. Write fiction that is action-oriented. Maybe you love character dialogue and enjoy revealing character through their conversations. Write more dialogue.
There really are many ways to write a good story, but when reading your favorite authors, read with a critical eye.
Don’t be afraid or intimidated to analyze and try new things and then re-analyze to see if that’s the way you really want to reveal your criminal to your reader.
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5. While writing a murderer, have fun being clever and making the mystery 🙂
Enjoy the process of creating the giant question of “who done it?” And “why?”
Writing should be a little work and a good bit enjoyable. It should be an adventure for you and your reader to find out who did it, why, and where do we go from here.
Most murder mysteries don’t leave the reader hanging at the end. Try to give them a sense of resolve so that when you come out with your second murderer they’ll be wanting to find out who and why from you again!
We hope Writing a Murderer has been useful for you and has helped your creative juices flow.
Hope this helps!
Happy Writing!
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If you’re interested in writing a murderer or other fictional characters, maybe you’d enjoy owning your very own blog?
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Intro to: 10 Toxic Habits That Ruin Fictional Character Relationships
We’re working on a bad habits series for fictional characters right now so feel free to look around to see more ideas for bad habits for your Fictional Characters.
10 Toxic Habits That Ruin Fictional Character Relationships
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10 Toxic Habits That Ruin Fictional Character Relationships
Bad habits make writers think about what goes on in a character’s mind.
Giving fictional characters bad habits is a good and natural way to create conflict and resolution between your characters.
Fictional Characters need to be seen as not perfect, but as primitive and mortal. Unless of course they are immortal 😉 but even then, adding some sort of weakness to them helps our reader mesh with them.
Don’t overthink bad habits. Just work on giving your fictional character a few that make sense.
Combining three or four makes sense, but don’t overdo it with 10 or more unless they are supposed to be a real slob.
Also, figure out good consequences for the habits you give.
Do some toxic habits that ruin relationships affect other toxic habits? What are the consequences of certain combined bad habits?
Are they slow to get dressed and ready?
Do they make the other character late for work?
Does the character lose their job because of the late one?
Do they often fight about bills?
Where do your characters’ toxic habits that ruin their relationships lead them?
Does one character avoid going home because they know it’ll end in a fight?
How far does their fighting go?
In other words, feel free to think through what bad habits you want them to have and how the bad habits can affect each other and have a compound effect on your fictional character. I hope 10 Toxic Habits That Ruin Fictional Character Relationships helps you think through dynamic and complex ways to make your fictional character more real to life.
Happy writing 🙂
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