How to Tell Good Feedback in a Writing Group & Not Offend Anyone

How to Tell Good Feedback in a Writing Group & Not Offend Anyone
How to Tell Good Feedback in a Writing Group & Not Offend Anyone

How to Give Good Feedback in a Writing Group & Not Offend Anyone

Are you in a writing group? If so everyone is probably expecting you to know how to give good critiques. One might even call them positive critiques where it is not offensive, but it is also not pointless fluff.

It’s not always as easy or fun as it sounds. A professor was once quoted saying something like, “as a critiquer, if what you have said causes a person to stop writing, you have failed. You have failed because you have stopped a creative person from creating.”

I agree with this somewhat. I think that we shouldn’t quit just because one person said something mean to us, but I do agree with the sentiment that it is up to us what comes out of our mouths.

I also agree that words are powerful. Because of this, it’s important for us to figure out how to give good critiques on other people’s work.

Positive criticism vs negative criticism.

Negative criticism is easy. It’s not clever or wise and it’s easy to spout out, “this is literally trash. Please throw it in the garbage on your way out. And please do the world a favor and stop writing.” That was easy and takes 0% brainpower.

Words like these are not just mean but are of no help whatsoever.

When we find someone’s work that isn’t so good, we would do them and maybe the world a disservice by telling them that they could never be an accomplished writer.

What do we know? With some hard work and practice, this person could be a great writer. So instead, be patient and teach people.

Positive criticism might sound like this, “in this paragraph, the word choices are slightly confusing. Maybe try to come up with simpler sentences that make it more obvious what you are trying to say.” Maybe even throw in some specific examples of how you might word something if they are willing to hear it.

Give them criticism that is NOT mean, but that is practical.

With advice like this, they could possibly reread their entire story and realize many places that need revising. One positive critique could radically change their entire story for the better.

One negative critique could crush their spirit and desire to continue writing, which would be sad.

They may be really bad or might never make it as a writer, but who am I to decide that?

Don’t just point out the bad.

Point out things that are bad and try to give them a solution for it.

If you can’t give them good advice on how to fix a problem, don’t just point out the problem.

Also, try to point out things you like too!

I learned this from a mentor, “for everyone one critique you are going to give a person, try to point out 3 positive things you can find.”

While this formula doesn’t work out perfectly every time. It is helpful to keep in mind.

You should try it the next time you think of criticizing someone. You might be surprised how they react to your criticism in a more understanding way.

And don’t just butter them up. Be genuine. Telling them what’s working in their writing is just as important as telling them what you think should be cut.

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Be specific with characters.

One thing we can help each other out with is character critiques.

If we do this, we need to be specific.

If I’m going to tell someone their character is cliché, I can’t just leave it at that. I need to try to say why it’s cliché, what other characters they remind me of and give them some ideas on how to make this character more unique.

Don’t just tell them what you don’t like about the character. Give them ideas on how to make the character better. 

Also, if we tell them why we don’t like a certain character, then they’ll be able to tell if it’s just us or if it’s something they really do want to change. Maybe they wanted that character to be cliché. If this were true then they could be encouraged in their writing knowing that it is being perceived the way they meant it to.

Create dialogue.

We’re not talking about dialogue in the writing. 

We’re talking about creating a conversation with the writer.

Creating a conversation about their work is so much more beneficial than just getting out strict statements, especially in a writers group.

Remember that there are more ears in the room than just the writer’s. In a writing group, we are all there to learn from each other and with each other.

What you say about Jill’s writing could be really great advice for a block in facing with one of my characters.

If that happens, when it’s your turn to talk confirm that with the group, “when you said this to Jill, I realized I was doing the same thing with my character and I can do this instead.”

Saying things like this to the group will bolster comradery and help others feel more confident to have open conversations about their writing and others.

Try to be vulnerable.

Most people want to be vulnerable. But it’s scary.

We as humans have an instinctual desire to be known and heard, but we all have emotional walls.

When you are able to be vulnerable with the group and it’s well received, this makes other people in the group feel comfortable to be vulnerable too, especially with you.

Start with things that aren’t mega sensitive or scary and see how it goes. Don’t let all your insecurities out in one long monologue. Just start with a little vulnerability and see if it’s helpful or harmful depending on the group.

If you find that this group is extremely closed off and harsh it might be a good idea to find a different group.

The next time you are in a situation to give a critique on a person’s writing try to remember to be honest and them what’s working and what isn’t.

Be vulnerable about what you’re learning and what you’re struggling within your own writing.

Focus on trying to create conversations in the group and try not to be tempted to just focus on your writing. Give everyone a chance to share and get help too.

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

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What Are Your Writing Insecurities?

What Are Your Writing Insecurities?
What Are Your Writing Insecurities?

What Are Your Writing Insecurities?

You write for yourself of course, but there is a small part of you that wants to publish. But why don’t you?

Most of us, as writers, struggle with insecurities. (I take that back, EVERY writer struggles with some insecurities, even famous ones.)

What are our insecurities and how do we overcome them? Or at least, how do we confront them?

Fear of rejection.

This is a big one and it plays into many human decisions. We might not ask out that person we like because we fear them saying no. Maybe it would be better to just never ask them and then they’ll NEVER be able to SAY NO.

While this is true, we’ll also never know if they would have said yes

There is a saying, “You miss 100% of the opportunities you don’t take.”

This applies here.

If we fear rejection so much that we never put ourselves out there as writers then we will never know if our writing would have been a success.

And ask yourself, what if just one person really loved your story? Would that be enough for you to publish?

Look for that one person and write and publish for them.

Fear of failure.

Fear of rejection and fear of failure go hand in hand but are not quite the same.

If we fear we are going to be unliked, made fun of, laughed at, etc these are fears of rejection.

Fear of failure is more about setting a goal or accomplishment that is really important to us and then it going wrong and us not achieving that goal.

We are afraid to fail.

We want so badly for this to work out that the fear of it not working out paralyzes us and we instead decide to binge on Netflix or play a video game. We procrastinate to not feel the pressure anymore.

The fear of failure attacks many of us but the truth is we might not fail. The other truth is, what we are afraid of happening (failing) will happen if we don’t try.

We will 100% fail at becoming a successful writer if we don’t try to be a writer at all.

But at least if we try there is a chance we will succeed and readers will love our stories.

Don’t deprive your potential readers.

Fear of inadequacy.

This can fall into two categories. The fear of just not being good enough and the fear of being too young or not knowing enough.

Let no one despise you for your youth. Just because you are young doesn’t mean you can’t learn to write a story well and come up with ideas that people will love.

Feeling like we don’t know enough and wanting to learn is better than feeling like a know-it-all and not learning anything.

A common trait with successful people is their desire to continually learn.

Don’t be afraid to search for knowledge and wisdom and use it once you understand it, no matter what your age.

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My story isn’t worth telling.

This is common and falls into the feeling of rejection. “No one will like my story,” is actually a statement of predicting the future.

Can you without a shadow of a doubt know 100% that no one will like your story? Not one?

This to me seems to be a good excuse to not do something that makes us nervous. What would happen if we put the thing out there anyway?

What if people love your story? Would you really keep it from them?

Our insecurities can really weigh us down and slow us down, but what have they done for us in a positive sense? Nothing I can think of.

“They saved me from the emotional pain of rejection and failure.” Did they really? And can you prove that?

No, we, unfortunately, cannot prove that. What we can say is that we never tried because of our insecurities and so we have failed.

Or, we can start today, right now and put our work out there and see what opportunities come our way. 

We most definitely might get hurt. 

We might fail. 

We might get rejected a million times but at least we can know we tried and didn’t give up.

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That’s all for now.

Hope this helps!

Happy writing!

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How to Start a Blog in 11 Simple Easy Steps in 2020

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Is It Dark Writing or Is It Edgy Writing?

Is It Dark Writing or Is It Edgy Writing?
Is It Dark Writing or Is It Edgy Writing?

Is It Dark Writing or Is It Edgy Writing?

There is a bit of controversy between the two and it’s up to speculation about how to divide the two into and describe each well.

In my opinion, the best description is this: edgy is dark for the sake of being dark whereas dark is dark for the sake of being real.

Do you prefer edgy or dark writing?

For me personally, I prefer dark. I’d rather consume something like Fury than a story that’s just trying to push the envelope.

Edgy has to be done extremely well in order to not just become cheesy at some point.

Realism is at some points refreshing and enlightening. Of course, this can go too far and there is a cliff not worth jumping off of, but for some dark stories, it just makes sense that the story is dark. It’s not trying to be dark, it has to be.

Stay true to the world.

When a story is dark it may be set in a world full of war and turmoil. When it gets dark the point should be to stay true to the world and the story. 

The Book of Eli is a good example of dark in my opinion. It’s an apocalyptic setting and its dark events transpire in a realistic way for how the writers told the story.

You can tell when something starts to get edgy. The writer writes in scenes that were unnecessary but will bring about a feeling from the audience they want. For scenes like this, you can look no further than the Tremors franchise.

A man will get eaten in an outhouse, not because it’s a realistic scenario, but because the writer wanted someone to get dragged into the bottom of an outhouse. And then a scene later a character can have dialogue that makes a cheesy joke about it.

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Edgy wants to pick up jaws.

Edgy is always looking for the next shock factor or gross-out factor. The point is to make as many jaws drop in 30 minutes as possible.

They go from scene to scene and want things to get so chaotic that you feel emotionally tired by the end of it.

It’s like riding a roller coaster of the story where the main plot isn’t really the point. The point is to get you to be shocked at least 5-7 times from the beginning to end.

They’ll try to tie up loose ends and make it coherent, but in the end they really just want you to be shocked by what they came up with.

It’s like going to a carnival instead of a museum. One is entertaining because of deep meaning and realism, whereas the other is meant to entertain with continually quick cheap tricks. 

They both can be fun in different ways if done right.

What’s the point?

If we want to write something that is dark it is okay to have sad and hard times in the story. Even things that are realistically hard to deal with like material in Hacksaw Ridge or Saving Private Ryan. 

In the end, though, there has to be a point to it, and we have to be sure it isn’t in unnecessary gross amounts.

If we want to step into edgy then yes we are going to push those boundaries and push into writing scenes that don’t have a point other than to shock the reader.

What type of audience are we drawing in.

If we write more dark novels our audience might turn out to be an audience of more deep thinkers that are looking to see the true happenings, thoughts, and feelings of reality. 

Even readers that want to see the reality of works that aren’t their own.

If we write edgier we are entertaining an audience that is looking more for cheap thrills. 

Both are enjoying your writing and they could be a part of the same crowd.

I love Fury, but also very much enjoy something edgy like MadMax. Just depends on what you’re feeling at the moment.

In the end, it comes down to what you want to be perceived as something that creates stories. 

Not saying one is better than the other, but it might be worth thinking about. (I do think edgy is harder to do well, but can and has been done.)

Do you want people to look up what you’ve written because they are looking for a quick cheap thrill, or do you want to appeal to an audience that is killing for a deeper look into the stories you’ve created?

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Is It Dark Writing or Is It Edgy Writing?

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Interested in starting a blog of your own? Check out Bluehost.

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

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Enjoying Is It Dark Writing or Is It Edgy Writing? Take a moment and consider sharing this social-friendly image to say thanks and feel free to comment with your thoughts below! 🙂

Is It Dark Writing or Is It Edgy Writing?

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How to Write a Great Sequel

How to Write a Great Sequel
How to Write a Great Sequel

How to Write a Great Sequel

Why does writing a sequel feel like a completely different task than the first book?

It’s the same characters, just a different part of their lives. Or it is a continuation of the same big story. It’s really up to you.

If we didn’t already have a sequel in mind in the grand scheme of things then it might feel strange to even begin this idea.

Pretend it’s not a sequel.

In order for a sequel to be really good, it has to have the strength to stand on its own.

It can’t just be “the sequel” and rely on book one thinking that’ll be enough for readers to enjoy it as they enjoyed the first one.

And for goodness sake, DO NOT make it a bridge to the next book. That is the most annoying type of sequel. Its entire existence is just to get you from one major plot point to another without anything major happening. Worst idea ever. (If you can’t tell I’ve been burnt a time or two by bridge sequels.)

The best sequels are enjoyable on their own beginning, middle, and end. They have their own major conflicts. They have their own merits. While also fitting into the larger narrative.

Don’t play too heavy into recaps.

Don’t assume you have to do the readers’ work for them.

When things tie back into the book, it should be in a way that if they did the digging for themselves they’d find it. It needs to follow the history of the story but you don’t have to continually remind them, “remember how johnny said he had a device 2 months ago? Well, this is it.” -this is really a poor way to bring back up something of importance.

Instead, just bring it up naturally and expect them to put two and two together. “Johnny pulled the amulet out of his satchel and set it into the hole in the stone, “I hope this thing works.”

It won’t take the reader out of the moment and they will either remember the things you want them to or it’ll make the overall series more clever with links tying them together.

(This isn’t a rule, more like a guideline. C.S. Lewis, I think breaks rules like these at times, but it adds to his voice and style of writing a good story.)

Just fyi: this recapping is a controversial idea. Some readers like a recap chapter as the first chapter and some hate it. You’ll have to decide for yourself what’s right for you.

Sequels are tough.

In reality, sequels are hard to get right. On average they are almost always not as good as the first.

If our first story was good, there is a high expectation on our second. This often leads to letdowns.

For most of our readers, the second just won’t be as good as the first. 

For me, that happened a lot with movies. The second of a movie I really loved was almost always a letdown.

But that’s why it’s important to keep going. I didn’t like the second of one thing, but I loved the third or fourth. So just don’t get stalled. Keep creating.

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Don’t get stuck.

When trying to write the sequel it can be easy to get lost in the actual writing of it.

This can lead to perfectionism and getting writer’s block because we are afraid we aren’t getting it just right.

Instead, put brackets around the stuff you don’t love and KEEP MOVING FORWARD.

It is so important not to stop for perfection’s sake. Come back and edit it later with a more clear view of the entire story and what is necessary, compared to waiting around for inspiration to strike.

It’s like waiting for lightning to strike the same spot twice. Sometimes you gotta make your own storm and push through.

It’s so much easier to fix a bad draft later than it is to wait for the perfect sentence to come about on the first try.

Being critical is important until it isn’t.

Most of us can agree. “We are our own worst critics.”

We see our work and think it’s REALLY bad. Our friends or loved ones read it and say, “I love it!” But deep down inside we doubt everything.

Even successful authors constantly struggle with self-doubt during creation.

There’s a story of an author that runs into Steven Speilberg in a mall. And Spielberg tells him how much he loves his work! 

You’d think this guy would never second guess his work again, but by his own account within 10 minutes he again struggles with his own idea of being a good writer.

For most of us, we know that we are only as good as our last book or project. If the next one is a flop, welp, “I guess we really never were that good.”

This line of thinking is so subjective. It has nothing to do with potential. So what if we wrote one success and then the next one flopped. Learn what didn’t work and start on the next one.

Maybe even throw the world a curveball and self-publish an edited version of the flop and give the audience what they really wanted. Nobody is doing that. They try to sweep their mistakes under a rug of social minutia like, “They didn’t like my writing because their “sexist, racist, bigot, homophobic, non-religious, too religious, heterophobic, they smell funny, their grandma told them it was bad!”

It’s time for us to stop expecting everyone to like everything.

Just because a person or company creates a story revolved around certain social issues doesn’t mean the entire world has to praise and support it.

That’s just lazy writing.

If we are in the storytelling business, some people will like it and some people won’t. Don’t be so over-critical of yourself that you get paralyzed and can’t write anymore. On the flip side, don’t worry so much about what other people say that you stop writing altogether.

And don’t be so arrogant as to not take any criticism whatsoever.

If you wrote something niche that only a few people and yourself like, then enjoy it. If you want to appeal to a larger audience then you have to SERVE larger audiences with your writing. 

At the end of the day when we are writing a sequel, it’s not about us. It’s about entertaining our main audience. 

If we flip the script on them, we shouldn’t be surprised when we get some pushback.

If we want to write a great sequel we need to give them more of what was given in the first book and we need to make it worth their time.

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How to Write a Great Sequel

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

How to Write a Book: 32 Tips | Your MASSIVE Guide How to Write a Book

What is Theme?

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Inspiring Quotes:

Inspiring Quotes | 101+ Inspirational Quotes to Motivate You Today

190+ Inspirational Quotes for Women

303+ Funny Inspirational Quotes

This post:

How to Write a Great Sequel

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How to Write a Book Review

How to Write a Book Review
How to Write a Book Review

How to Write a Book Review

Do you love to read? Maybe you’d love to write book reviews? You might be surprised to learn that both readers and writers could be interested in what you have to say about books.

Other readers want to know what other readers think about a book before they invest their time and money into it. Book writers want to get sincere and good reviews for their books. Sometimes an author will give you their book for free for a review and sometimes people are even willing to pay you to give an honest, sincere, and fair review.

Tell your readers what the book is about.

It can be hard to figure out where to start with a good book review. So an easy place to start is at the beginning. Tell readers what the book is about. Don’t give away too much information, but try to give them a vague but important overview of what they are headed into.

Include something that creates curiosity for the reader.

In writing, they normally call this a hook. You might think, “why do I need to have a hook in my review?” If you want to be someone that others look to for good reviews and maybe getting free books or paid for it then you are going to want to get good at drawing readers into your reviews.

If you master the ability to create a longing in the reader to try the book you can become an asset to writers for a good book review.

Include some quotes.

Don’t overdo it with quotes, but one or two really good ones can go a long way.

Mention books that are similar.

You might say something like, “If you loved Harry Potter, you are in for a real treat.” When you drop the name of something you genuinely see as similar you let the reader know right away they can look forward to a book or they can cast it aside as something they wouldn’t really enjoy.

You might think you wouldn’t want to send anyone away, but that’s not necessarily true.

By sending away people that won’t like it, you actually help the author avoid bad reviews and comments about their book and you actually draw in good and 5-star reviews for the writer. This is more valuable in the long run than just a few more people reading the book.

Don’t lie with big claims.

To be honest, if you say something like, “This is the next Harry Potter!” You are probably going to get eye rolls and not a few, “YEAAH Right…”

Try to avoid big claims that will cause some people to walk away because the claim is just too big and also will cause some to have too high expectations and be let down.

Tell people what you liked about the book.

Sometimes it is easier to list off the reasons you liked the book and leave it at that. Many times people will look forward to a book for the same reasons you did.

Don’t be afraid to say what you didn’t love about it.

You don’t have to slam the book, but if you say a couple of things you didn’t like about it, potential readers will really appreciate your honesty and candor. They might even decide to read it based on what you didn’t like about it.

Recommend the book to people you think would enjoy it.

Go ahead and think of people that would like the book and why. You might say things like: 

  • If you are a dog lover this book might be your type.
  • I’m not a swimming enthusiast but you might be.
  • If you love thrillers, this book is for you.
  • Do you love classic monsters? You’ll love this book.

Give it a rating if you can.

If you give the review on Amazon it already comes with this built-in, but if not, feel free to give it a number out of 5 or 10.

Keep it brief.

You’re writing a book review…NOT a book and not a book about a book. It’s just a review. Make every sentence count for something. Don’t be long-winded with a book review. Say what needs to be said and tie it up pretty.

Use simple words and simple language.

It should be easy for a 6th grader to read your review and understand it. It may be tempting to throw in some big words and try to galvanize (impress) people with your wordsmithery. Don’t give into this temptation.

Break it down into 3 simple steps.

To make it REALLY simple focus on this template:

  1. Summarize the book briefly without giving too much away.
  2. Tell people what you liked and didn’t like about it.
  3. Recommend it to certain people and rate it.

Don’t be mean.

There is no reason to be mean or nasty about the book. Even if you hated it, it won’t benefit you to burn any bridges. Try to find one or two points you liked about it and focus on that or politely ask that you can be exempt from giving the review.

Don’t forget to check for typos.

When it’s all said and done, don’t forget to check your review for typos! Make sure your points are clear and concise. 

Should you follow a certain format for a book review?

You don’t have to but if you want a simple one to follow you can structure it like this:

“Classic book review structure is as follows:

  • Title including a complete bibliographic citation for the work (i.e., title in full, author, place, publisher, date of publication, edition statement, pages, special features [maps, color plates, etc.], price, and ISBN.
  • One paragraph identifying the thesis, and whether the author achieves the stated purpose of the book.
  • One or two paragraphs summarizing the book.
  • One paragraph on the book’s strengths.
  • One paragraph on the book’s weaknesses.
  • One paragraph on your assessment of the book’s strengths and weaknesses.”

Source.

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

How to Write a Book: 32 Tips | Your MASSIVE Guide How to Write a Book

What is Theme?

The Hero’s Journey

Inspiring Quotes:

Inspiring Quotes | 101+ Inspirational Quotes to Motivate You Today

190+ Inspirational Quotes for Women

303+ Funny Inspirational Quotes

This post:

How to Write a Book Review

Interested in starting a blog of your own? Check out Bluehost.

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

Make sure your posts are readable. Use this readability score check

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Are There Really Writing Rules and Should I Break Them?

Are There Really Writing Rules and Should I Break Them?
Are There Really Writing Rules and Should I Break Them?

Are There Really Writing Rules and Should I Break Them?

It came up in a discussion recently that there aren’t any formulas or rules to writing or else robots could just write best sellers and people could have computers do it for them.

In my opinion, this just isn’t true. There are certain rules and formulas to writing and following them is helpful for starting out.

The real question here is should they be broken and when?

Our answer is: it depends. Let’s get into it.

Destroy all adverbs.

Have you heard this rule before? I know I have, plenty of times. Never write, “I wrote down my idea excitedly!” 

Instead Write, “the author got excited about his idea so he wrote it down.”

What rule is this? “Never use adverbs!”

Is this a rule to follow or break?

I think this rule should be considered but can definitely be broken.

We don’t have to NEVER write adverbs in our stories. In fact, I would say they are helpful and not distracting at times. But the rule here should be considered.

If our writing becomes loaded down with adverbs that’s probably too much and it’s going to get distracting for some readers.

Instead, maybe sprinkle in an adverb or two where you really add to the moment and it didn’t overdo it.

Any writer that says, “you can never write adverbs or you will fail as a writer!” never read Harry Potter.

Know the formulas.

This step is pretty important. If you don’t know the rules or the formulas you can’t break them.

It’s important to do research and to learn what makes a great story and what makes great writing. 

Then when the time comes you will see a writing formula and know that the story needs to follow it or needs to break it.

If we don’t educate ourselves then we won’t know whether we are just using sloppy writing and trying to push work that is more distracting to our audience than enjoyable.

We want our writing to be enjoyable and for that, we need to know what formulas in the story give what reactions.

For example, if you want to give people a feeling of satisfaction then your story will have a resolution at the end.

If you want them to feel unfulfilled you leave a cliffhanger. 

If you want them to feel turmoil or sadness it might end in tragedy.

If you want them to feel horror or uneasy, it will end with no resolution and maybe still a foreboding problem.

These are simple but effective tools for creating stories and plots with the idea in mind of how you want your audience to feel at the end of your story.

Formulas are important for how you want readers to feel, not because they are formulas but because how they help you understand how your overall story will be received and looked for.

When someone is looking at your stories, what feeling do you want them to be chasing after? Horror? Satisfaction? Happy ending? Curiosity? Sadness? Etc.

You can break these formulas, but by doing so you should know at the end WHY you broke the writing rule and how that contributes to your reader ultimately enjoying your story more because you broke it.

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You don’t have to know every rule to start writing.

This is important because you might think, “I don’t know what rules I’m breaking so I better not start till I do! Ahhhh!”

This is an unnecessary thought and task.

It would be better to start writing and learn the rules as you go. This way you are increasing your knowledge and practical skill at the same time, thus increasing your wisdom in writing rather than just having the head knowledge and doing nothing with it.

It’s better, in our opinion, to write something bad and fix it later rather than write nothing at all.

It’s kind of fun to be able to look back over years of writing and see how one has grown and changed as a writer. Your writing voice will change and mature over time. If you start writing right away you will be able to see that change first hand.

Waiting to write just doesn’t make sense in the long run.

There are differing opinions about rules and formulas.

Some people don’t believe in certain “formulas” for writing, whereas they do believe in good writing rules.

For me personally, I can definitely see certain “skeletons” or foundations for stories.

In most good stories there’s a beginning, middle, and end. There’s usually an introduction of characters and a major conflict. There’s usually a good climax before the end.

Most good stories have these “formulas,” if you will. And sometimes ignoring these facts leads to stories or plots that fall flat in the majority of the audiences’ eyes.

I’m not saying you MUST follow them, but if you don’t you are heading into territory that is harder to achieve a successful story compared to writers that don’t try to “reinvent the wheel.”

Break them cleverly.

Don’t break the rules just because you don’t like them. This would be silly.

Instead of you are going to break them at all, break them in a clever way that leads to more enjoyment for your readers.

Maybe you write to an audience of writers? In that case, you can break the rules in meta and your audience will get why you broke it and they will see what non-writers can’t see.

Breaking the rules should have a level of intelligence to it, not just rebellion. Rebellion for rebellion’s sake is popular with no one. But well thought out, clever rebellion is appealing to many.

I’m personally not clever enough to break the rules cleverly, but you can bet if I was, I would. 😏

“Good writing can’t be taught”

We definitely disagree with this sentiment. It’s almost like saying “good writing can’t be studied.”

As someone that loves the art of storytelling and thoroughly enjoys studying it, I have to particularly and harshly disagree with EVERYONE that tries to tell you that good writing can’t be taught.

It most certainly can, you just have to find good teachers and dodge the bad ones.

BE AWARE there is bad advice out there. Don’t just take what anyone says to heart without researching it and studying it for yourself (even what I say here. If I say something you don’t agree with, that’s fine. You don’t have to agree with me. I encourage you to study things for yourself! Because in the end, the real truth wins out; not people’s opinions.)

What works out for you, doesn’t always work for others.

What works for me and my style of writing, might not work for you.

You have to figure out your own journey with writing and how it does or it doesn’t work out for you.

So as you study writing and write yourself, you get to choose what formulas to follow or not follow.

And you get to choose what writing rules to break or not break.

This ultimately leads to your own unique style and writing voice compared to other writers.

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Are There Really Writing Rules and Should I Break Them?

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Are There Really Writing Rules and Should I Break Them?

Are There Really Writing Rules and Should I Break Them?

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Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

That’s all for now.

Hope this helps!

Happy writing!

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Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

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This post:

Are There Really Writing Rules and Should I Break Them?

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Are There Really Writing Rules and Should I Break Them?

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Are There Really Writing Rules and Should I Break Them?

Are There Really Writing Rules and Should I Break Them?

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Are You Having Trouble Creating Your Fictional Town?

Are You Having Trouble Creating Your Fictional Town?
Are You Having Trouble Creating Your Fictional Town?

Are You Having Trouble Creating Your Fictional Town?

If you are like many other creative writers fictional towns are a part of the fun and the problem…

You’d been planning for weeks, months, or years even, but the setting is still hard to imagine or put into words.

Hopefully, these tips and tricks will give you some ideas to get you moving forward with your fictional town.

Create a mood board.

A mood board is a collection of images or textures or colors. It’s really anything that inspires you about a certain subject.

So in this case you would make a board that you place images of towns and things you find in towns that inspire you to imagine your new fictional town.

It can be filled with different kinds of architecture that could be found in your town. It would have shops; the people dress. It could have dirt roads birch roads.

Another fast way to do this would be to make a Pinterest board dedicated completely to your fictional town.

Google images of real towns.

One of the best ways to get over a creative slump for creating a fictional town is to look at pictures of real towns. 

Even just basing our fictional town on a real town can really help.

Stephen King does this with Derry, Maine. Derry is not a real place but it IS based on real places in Maine. Derry is mostly a conglomerate of what a generic, default quaint little town in Maine might look like.

Looking at images of real towns and basing our fictional town on them is one of the best ways to get into building a fictional town in our minds.

It helps because we lose the doubt we feel when we wonder, “does this town seem real?” The answer would become, YES, because we took real towns and used that inspiration to make a fictional one.

get paid to write

Create a map.

This is almost without question a necessary step in creating a fictional town. You’ll want to be able to map out where events in the story transpire. If this part gets muddled up it could lead to serious plot holes.

Plus once you’ve mapped out the layout of the town this will be a step that gives you a lot of confidence to move forward with your writing.

You’ll be able to see clearly where things are happening and what the setting looks like with your main characters in it.

The layout of a town is important for the plot and it’ll help you as a writer, in the long run, keep things consistent.

Play some world-building games.

There are certain games that revolve around the idea of worldbuilding.

You could play “The Quiet Year” where you take time building a town and drawing it out as you go to get some ideas. And another game called “Kingdoms” is a great way to think about building towns and kingdoms.

Play some video games.

A great way to think about structuring a fictional town is to look at the way that video games do it. You know that games like COD and HALO have maps. By looking at these maps and seeing their layout you can deconstruct how the developers laid out the towns.

Take some time to draw out a couple of small areas that your characters could run around in. Then draw out some bigger mapped-out areas. Then combine some of them and you can really construct a dynamic layout of a fictional landscape.

Google Earth.

Use tools like google earth. Pick out a small town outside a city limit and deep dive into every nook and cranny of it.

If you can draw out a layout similar to the one you’ve explored you know you’re on to something helpful.

The layout of a town or kingdom of even large lands is extremely pivotal to the overall plot of some stories.

In Lord of the Rings, Tolkien’s layout of the fictional world was extremely important as it dictated the trials the characters would face as they journeyed from one end to the other.

Your story might have similar problems to solve. These problems might be solved by just figuring out the layout of the setting your characters are in.

Do they travel far and wide or are they confined to a small area the entire story?

That’s up to you, but the amount that you have travel and why will bring different moods to different parts of the story.

Traveling to a different place can bring with it certain emotions, excitement, sadness, longing, adventure, fear, etc. Depending on where they are going and why is up to you. But when and how much they travel changes the mood of a story.

get paid to write

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Are You Having Trouble Creating Your Fictional Town?

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Are You Having Trouble Creating Your Fictional Town?

Are You Having Trouble Creating Your Fictional Town?

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Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

How to Write a Book: 32 Tips | Your MASSIVE Guide How to Write a Book

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This post:

Are You Having Trouble Creating Your Fictional Town?

Interested in starting a blog of your own? Check out Bluehost.

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

 

Make sure your posts are readable. Use this readability score check

Want to check out a writer’s community to test your writing and get feedback?

Want to know more about us?

                                                                       

Check out these FREE trial resources from Amazon for when you work from home (or are stuck at home 🙂 ) As an Amazon associate, if you do sign up or buy anything using Amazon links from our site we make a commission at no extra cost to you.

Free Prime Membership Trial:

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Create an Amazon Wedding Registry

 

Are You Having Trouble Creating Your Fictional Town?

Enjoying Are You Having Trouble Creating Your Fictional Town? Take a moment and consider sharing this social-friendly image to say thanks and feel free to comment with your thoughts below! 🙂

Are You Having Trouble Creating Your Fictional Town?

Are You Having Trouble Creating Your Fictional Town?

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Do You Know Your Fictional Characters So Well They Speak Back?

Do You Know Your Fictional Characters So Well They Speak Back?
Do You Know Your Fictional Characters So Well They Speak Back?

Do You Know Your Fictional Characters So Well They Speak Back?

Some authors mention how they hear their characters speak back to them.

Is this some mysticism or rare magic? I don’t think so.

I think the clues here lie in the practice, the discipline, and the patience.

So how do we get our characters to speak to us so we can write down their thoughts?

How do you get to know someone?

You spend time with them. Ask them all sorts of questions.

Know how they feel about EVERYTHING. 

You should really have notes on your main characters and write down stuff you find out about them.

Do they like coffee? Do they like tea? Would they rather go to the movies or stay home and rent one?

What do they do for work? Do they like work? Do they like their co-workers? Do they have squabbles with anyone? Do they despise anyone at work?

Who do they look forward to talking to each day? Who do they dread talking to each day?

What are their doubts, fears, and worries? Do they have traumatic moments in their past? How does that affect their everyday decisions?

What do they believe in? What do they doubt? How are they raised?

What are their daily goals, weekly goals, and yearly goals? What are their ultimate life goals?

There are so many things to know about a character before you can hear what they would say to a person they know or even to a stranger. And also to take into account is why they say things to certain people. How does it affect your plot for them?

Spend time watching them.

Watch them in their daily lives. Observe how they act when they are alone and how they act at work. 

Do they act differently with friends? Do they act differently with family members?

What is their “normal” personality and when do they feel so uncomfortable they can’t be normal?

Are they polite normally, is more to the point, brash, and seemingly rude?

Get inspiration from real people.

Your character can easily be based on a real person you know. This is an easy way to find out what someone would do or say in any situation. All you have to do is ask them or observe them in-the-moment.

This might take a bit more research and you might not want to make your character “exactly” like them, because you can’t know 100% what someone will do even if you watched them all the time, but this is where creative license comes in and you do your best to come up with an interesting and meaningful scenario.

Get inspiration from fictional characters.

This is probably easier than inspiration from real people. It’s easier to watch or observe a fictional character than a real one because you technically control the fictional one.

You can watch an episode over and over again to try to nail down what they would do in certain situations. Or you can try to uncover a character’s deeper personality by reading their story several times.

Again the point here isn’t to copy them verbatim, (unless of course, you are writing fanfiction) the point is to get insight on how you want your character to act in any situation and what they most likely would say.

You know what they would say.

After you’ve created the character and done your research, there comes a point where you not only know what they would say and do, but the bigger thing is you get to decide what they say and do, and that ultimately guides them through the hoops and trials of your story.

Once you’ve written it. That IS what that character would do and say because you created them and you said so. 

Now a reader might come along and say “Bob wouldn’t say that! Bob wouldn’t do that!” We definitely as writers want to be careful not to go against our main characters deep-seated actions and feelings. But sometimes people change and try new things.

While we do want to be sensitive to these issues (and believe me, I’ve been that viewer before “they completely betrayed so and so’s character because he never would have done that!”) but at the end of the day you decide who the character is and what they do.

Even though it would be nice if they just jumped off the page and we could just write down everything they do that’s not always how the creative process goes.

(Now, I do know that as writers we often watch our story play out like a movie in our heads and we just write down what we see. But we have to realize that we still have ultimate control over the story and what happens next.)

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

How to Write a Book: 32 Tips | Your MASSIVE Guide How to Write a Book

Inspiring Quotes:

Inspiring Quotes | 101+ Inspirational Quotes to Motivate You Today

190+ Inspirational Quotes for Women

303+ Funny Inspirational Quotes

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Finding Writing Motivation as long as It’s Called Today

Finding Writing Motivation as long as It’s Called Today
Finding Writing Motivation as long as It’s Called Today

Finding Writing Motivation as long as It’s Called Today

Is the day that you are reading this called today? Then you can find writing motivation today 🙂

I know it sounds funny to say it that way at first but it is important to stay focused on what is possible today and not on what was missed out on yesterday.

What we do today will ultimately affect tomorrow, but we have a little control over tomorrow. We have absolutely no control over yesterday, but today we have control and the potential to write some really amazing stuff!

So let’s try to find writing motivation today.

Write about the little things.

I was recently reading Storyworthy (an excellent book about storytelling. Good for writing stories and telling them out loud as well.) and one of the author’s tips was to keep a log of daily memories.

He has a skill at turning everyday life into award-winning stories. (I highly recommend reading it).

But I found it to be true. By applying the skills he talked about we can find deeper emotional meaning in our everyday experiences and turn them into story-worthy moments.

The big problem is. We aren’t actively looking for them. If we change the way we think about our lives and telling profound stories we will open our eyes to a treasure trove of stories that we may think aren’t worth telling, but this just isn’t true.

Part of the book teaches us how to make great stories out of our everyday lives.

Reward yourself.

I don’t know what your reward system is in your life, but my wife and I call it “Fun money.”

Fun money is essentially cash we can spend on whatever we want without checking with each other. The mentality is “blow your fun money on whatever you want!”

It’s fun. Every once in a while we might bet each other fun money on stuff, just for fun.

For instance, we might debate in a certain memory, “I thought we watched that movie while we were dating.”

“No honey, we definitely saw that when we were engaged.”

If we find out that we can 100% prove a fact we might wager a little fun money before revealing the actual facts 😏.

This is fun for us. But what is fun for you? What’s your “fun money?”

Treats?

Tech?

Experience?

Tools? (My brother reward himself with tools 😂)

You should set yourself a Writing goal and then set yourself a reasonable reward.

“If Write 1,000 words today I get to go out for ice cream.”

“If I Write 2,000 I get dinner and ice cream.”

“If I write 3,000 I get dinner, a movie, and ice cream!”

Those rewards might sound silly to you, but the more you are able to turn writing into fun the more excited you will get about doing it, and the more you do it the habit will form. If you form a habit, you will get better.

Find community.

I cannot even put into words how powerful and important this one tactic is. If you do nothing more from this post other than put yourself around other people that write daily, it’ll be very hard for you to not start writing daily as well.

Psychologically this works all the time. We become like people we put ourselves around. Almost without fail.

Find groups online and in real life. There are writing communities on Reddit, FB, Twitter, etc. (There used to be one on Parler that was good, but Parler didn’t make it r.i.p. Parler.)

It’s not as easy to find people in real life, but I recommend checking out your local library. Reading groups can sometimes have writers as well. And today I’ve heard that more and more groups are meeting via zoom and other video groups. If you can’t get out you can now find a video group to join.

What is your “why?

Ask yourself, why do I write?

Some of us write for stress reduction. Writing can be a way to help us struggle through our emotions.

We write for fun. It’s fun to create something. It’s enjoyable to create a story and characters and dive into their lives and psyche and see what they do and where they go.

Some of us get paid to write or want to get paid to write. Today there are a myriad of paid writing jobs. Probably more than any other time in history. 

If you want to be a paid writer, today is the day. Don’t let anyone tell you otherwise. It is easier to get paid as a writer today than at any other time in history. There are many writing job opportunities and the opportunity to learn to write well is massive compared to the past. (My recommendation is learning how to make money as a blogger. One of the best ways to make money blogging is through affiliate marketing.)

So why do you write? Why do you want to write?

Knowing your “why” can really help motivate you today to keep writing out to start. 

Some days your why will motivate you and some days it just won’t. That’s okay. We as humans change and grow all the time. This means we have to look at different angles of life and what we personally like about writing differently as we age and our lives change.

I recently read about an author that was a full-time bar owner before he started writing. When he realized it was his calling he sold his bar and now his daily life revolves around writing 6 hours a day. WAY different than being a bar owner.

Times change and motivations change and that can be a good thing. So if something stops working to motivate you to write, just try something else out something new altogether.

The most important thing is, don’t stop trying to find motivation. Just keep moving forward, and most importantly “write at least one word every day.”

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That’s all for now.

Hope this helps!

Happy writing!

Other Resources You Might Enjoy:

Why Start a Blog

How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

How to Write a Book: 32 Tips | Your MASSIVE Guide How to Write a Book

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This post:

Finding Writing Motivation as long as It’s Called Today

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What to Look for in a Writing Group

What to Look for in a Writing Group. Try these tips!
What to Look for in a Writing Group. Try these tips!

What to Look for in a Writing Group. Try these tips!

If you’ve been in a working writer’s group for a bit now, you know what to expect and what you want to see happen during that time session.

But if you haven’t been to a writing group yet and are looking for one you may want to consider these things.

Desire to publish.

Not everyone wants this, but I highly recommend it. To be a part of a writing group should be enjoyable but it also should be a little bit of a pressure cooker.

You want to be around people that are going to push you to be better and do better. A good pressure to have on yourself is to aspire to publish and one easy way to do that is to put yourself immediately around others where their desire, drive, and motivation is to publish (even better if they have already published before and are continuing to.

Don’t join a group that doesn’t have goals. Having goals is important for writers since it is tempting to put things off.

Actually, has stuff written down.

Too many writing groups aren’t actually a “writing” group.

Some like think tanks where everyone goes for weeks talking about world-building and plot ideas, but after weeks of talking nobody has written anything down.

Are we really a writing group? 😂

Another thing that can happen is they can turn into feel-good parties. You get to share your ideas for your story and everyone claps and praises your ideas. Again nobody shows any REAL writing work. They just talk about writing.

Openly and candidly share.

Look for a group that is open. 

Open to share their writing and open to your writing. Open to giving honest but helpful critiques.

Helpful critique is very specific and meant for real edit changes. Not helpful critics are general and usually don’t contribute anything of use or value to the editing of your work. 

“This is awful and no one would ever read it.” Is not helpful in any way, whereas, “this opening confused me. It’s long and I’m not sure if we are actually going anywhere.” Is helpful and gives you an inside look into what a reader might feel reading the first few pages of your book.

Open to differing opinions.

Personally, I find groups that push back against ideas for social reasons to be off-putting. (You’ll want to find a group that helps you thrive in the genre you’re in.)

If you want to write a romantic comedy, but the group thinks that’s cliché, then you’re probably going to want to find a different group. They won’t be very helpful to you.

If you’re in a group that’s hyper-political and you want to write an epic fantasy, they might push you in a weird direction.

Willing to do serious discussions.

You’re not there for the cookies (what I mean is, you are not ONLY there for the cookies 🙂 ). A group that will be most helpful to everyone involved is a group that is all willing to put in effort together and be thoughtful about EACH member’s writing.

You can do a certain amount of time on each one or you can say that the entire writing session is dedicated to one and each person gets into a rotation of sessions. It doesn’t really matter how you break it up as long as it’s fair.

There to help each other.

A big red flag would be several members that dominate the conversation and only ever want to talk about their work.

Join a group that wants to take time to help everyone’s work.

A willingness to receive helpful feedback and to also give helpful feedback is something you should look for in a healthy writing group.

It is 100% okay to leave a group.

If you find that you’re in a group but it doesn’t help each member out or the environment feels toxic, do not feel bad walking away from that group. It’s time being spent and you might benefit from spending it elsewhere.

So don’t feel too bad if you realize suddenly that your group is not helping each other and you see that you should step away.

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What to Look for in a Writing Group

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What to Look for in a Writing Group. Try these tips!

What to Look for in a Writing Group

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That’s all for now.

Hope that helps!

Happy writing!

Other Resources You Might Enjoy:

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How to Start a Blog in 11 Simple Easy Steps in 2020

For Blogging AND More

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This post:

What to Look for in a Writing Group

Interested in starting a blog of your own? Check out Bluehost.

Already own a blog? Monetize with Ezoic. Make 5X more on ads with Ezoic! See for yourself. – These ads use machine learning. Set it and leave it.

Make sure your posts are readable. Use this readability score check

Want to check out a writer’s community to test your writing and get feedback?

Want to know more about us?

                                                                       

Check out these FREE trial resources from Amazon for when you work from home (or are stuck at home 🙂 ) As an Amazon associate, if you do sign up or buy anything using Amazon links from our site we make a commission at no extra cost to you.

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What to Look for in a Writing Group. Try these tips!

What to Look for in a Writing Group

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